Ahn Young-joo graduated from Hongik University, Department of Art, and received her doctorate from the same university with a thesis titled “Critical Discourse on Vernacular Design and Political Possibilities.” She has lectured on various design cultural theories such as design and material culture, design history, and craft theory at Hongik University and Konkuk University, and is currently an adjunct professor at Konkuk University’s Department of Industrial Design. Her publications include Visual Culture and Design (co-authored), and her papers include “A Study on Vernacular Design in Charlotte Perriand’s Design,” “The Politics of Design: Design as Sensory Transformation,” and “The Cultural Status of Vernacular from a Postcolonial Perspective.” She writes for various media outlets including Design Criticism, discussing design from a sociocultural perspective and is researching new possibilities for craft.
Authors
Ahn Young-joo
안영주
다른 사람들
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그래픽 디자이너. 홍익대학교에서 석사 논문을 쓰며 다석을 만나 다석의 한글 씀이 한글을 이용한 타이포그래피 디자인의 바탕을 넓히는 일이라는 사실을 알게 되었다. 또한 우리가 오래 써왔던 우리말에 깊은 철학적 성찰이 담겨 있으며, 세종이 이를 기호화해 한글을 지었고, 다석은 한글의 기호적 의미를 다시 시각화했음을 깨달았다. 현재 스튜디오 ‘디자인하다’에서 한글을 사용해 멋짓는 디자인을 한다. 한양대, 가천대, 한세대에서 타이포그래피와 편집 디자인을 강의했으며, IF 디자인 어워드 등 디자인 어워드에서 수상했다. 한국타이포그라피학회 회원이다.
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IDR
IDR is a combination of letters reminiscent of ordinary English words such as idea and ideal. It is intended to be a more free architecture that responds flexibly to various external conditions without being bound by a specific logic or theory. Questioning what is taken for granted in our cities and architecture is the starting point of his work, and he is particularly interested in the role of architecture as a mediating background between users and everyday life. -
Fukasawa Naoto
Naoto Fukasawa was born in 1956 in Yamanashi, Japan. He graduated from Tama Art University in 1980 and began his career at Seiko Epson, where he worked on advanced designs for watches and other micro-electronic devices. In 1989, he joined ID Two, a San Francisco-based product design firm that later became IDEO. In 1996, Fukasawa returned to Japan to establish and oversee IDEO’s Tokyo office. In 2003, he founded Naoto Fukasawa Design . Since 2001, he has served as a design advisor for MUJI … -
Ku Mo-a
After graduating from Konkuk University, she worked at Sandol Communication, a Korean type foundry, for five years, and as a researcher and team leader at AG Typography Research Center, she worked on several typeface projects, including “Sandoll LateSpring,” the Maru project “Maru Buri,” and the 87MM brand’s exclusive font “87MM ILSANG.” She has been conducting research and projects on screens and fonts since “AG Choijeongho Screen” and has been working on typeface design based on … -
Shin Hyun-woo
A digital culture researcher specializing in critiques of information capitalism, game studies, and technology and information culture. Actively engaged in various writing projects. Co-authored the book Mario, Born in 1981. -
Choi Jeong-ho
A Pioneer of modern Korean type design and typeface research. He moved to Japan, where he worked at a printing company, mastering various printing techniques, and studied at Yodobashi Art Academy. In 1957, he developed the Dong-A Publishing Typeface, which received high acclaim. In the early 1970s, he collaborated with Japanese phototypesetting companies Shaken (寫硏) and Morisawa (モリサワ) to create Hangeul typefaces. In his later years, he focused on writing and researching the philosophy and … -
Lee Seung-heon
Lee Seung-heon is a professor of interior architecture at Dongmyung University. He majored in architectural engineering at Dong-A University and earned his PhD from Pusan National University with a thesis on the meaning and expression of locality in architecture. He writes and lectures on various media for public understanding of architecture, and his research interests include the evolution of space and the aesthetics of weaving. He has worked as a planner and designer for ‘Reno House , … -
Kim Eun-hae
Born in Daegu, South Korea. She graduated from Hankuk University of Foreign Studies and earned his PhD from Charles University in Prague. She has taught Slavic languages and culture for many years at Yonsei University and Korea University. She has worked as an interpreter in the field of bilateral exchanges, including the Korea-Czech Republic summit. She fell in love with art, especially painting, when she realized that art is about human emotions such as desire, frustration, anger, and … -
kim eojin
As a co-founder of the design studio Everyday Practice , they collaborate with numerous cultural and artistic institutions and non-profit organizations , including the National Museum of Modern and Contemporary Art (MMCA), Seoul Museum of Art (SeMA), National Asian Culture Center, Busan Museum of Contemporary Art, and Green Korea . They have participated as an artist in exhibitions at institutions such as MMCA, SeMA, Ilmin Museum of Art, and Nam June Paik Art Center . In 2019 , they served as a … -
Choi Hyuk-kyoo
A member of the steering committee at the Center for Cultural Society and a former activist with the Cultural Action. Currently works in the field of cultural education. Maintains a steady interest in technology, culture, and labor while studying cultural theory and social sciences. -
Leonard Koren
Leonard Koren was born in New York City and raised in Los Angeles. While a teenager he designed and built a full-scale Japanese tea house out of scavenged materials. While an undergraduate student at UCLA, Koren was awarded a fellowship to pursue experiments in photographic process. He also worked as an exhibition installer at the university’s fine arts and ethnographic museums. In 1969 Koren quit school and co-founded the Los Angeles Fine Arts Squad, a trompe l’oeil mural painting group that … -
Kwak Yung-bin
He is an art critic and visiting professor at Yonsei University’s Graduate School of Communication, and holds a PhD from the University of Iowa, USA, with a “The origin of Korean Trauerspiel”. In 2015, he was awarded the inaugural SeMA-Hana Art Criticism Award, the first national art criticism award established by the Seoul Museum of Art (SeMA). His recent publications include “The Blind Past and the Eternal Return of Global Civil War: Difference and Repetition in Omer Fasth …