Karl Gerstner (1930–2017) was a leading representative of Swiss typography and one of the most important innovators of typography, advertising graphics and corporate design. From 1945 to 1948, he completed an apprenticeship in Fritz Bühler’s studio and attended courses at the Allgemeine Gewerbeschule Basel, where Armin Hofmann and Emil Ruder were his instructors. In 1949 he followed Max Schmid’s call and joined the legendary design team of Geigy Pharmaceuticals, where he later met the copywriter and editor Markus Kutter. In 1959 they founded the advertising agency Gerstner + Kutter, which was joined by architect Paul Gredinger and in 1963 became GGK (Gerstner Gredinger Kutter), one of Europe’s most successful advertising agencies. Gerstner left the agency in 1970 to focus on his art and on selected design projects. Karl Gerstner had a significant influence on Swiss typography and graphic design. As an artist, he developed a systematic language of colors and forms and pleaded for a correlation between art and everyday life and a functional and aesthetic design of the environment.
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Karl Gerstner
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President of KT. In 2004, during his tenure as Vice President of Marketing at KTF, he played a pivotal role in introducing service design into corporate management and marketing activities in Korea. Drawing on his extensive experience as a corporate leader, he applied service design to KT’s innovations, leading to the creation of iconic branding campaigns such as Have a good time (2005), SHOW (2007), QOOK (2009), and the groundbreaking exclamation olleh (2010). These efforts marked a …
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Ko Young-lan
She studied design at Seoul National University and Cornell University Graduate School. She has contributed articles on design issues to the monthly Design and Designnet , and has expressed her vision of design as a social issue in the “Seoul Declaration of Industrial Designers” (2001), “Korea Design Declaration” (2007), “Charter of Women Designers” (2007), and “Human City Design Seoul Declaration” (2018). While a professor at Hansung University, she has served as a special exhibition curator … -
Lee Soon-jong
Lee Soon-jong graduated from Seoul National University College of Fine Arts and the Illinois Institute of Technology (IIT) Graduate School of Design. He has served as a professor at Kookmin University’s Department of Industrial Design and Seoul National University’s Department of Design. He also founded the International Association of Societies for Design Research (IASDR), served as president of the Korean Design Association, and was the first design director of the Gwangju Design … -
Lim Dae-geun
Im Dae-geun graduated from the Department of Western Painting and the Graduate School of Art Theory at Seoul National University and completed the Ph.D. coursework in Art History at the University of Melbourne. Since 1997, he has been primarily responsible for exhibition planning at the National Museum of Modern and Contemporary Art (MMCA), organizing notable exhibitions such as «Multiple/Dialogues∞» (2009), «Untitled» (2015), «Cracks» (2018), «Park Iso: Records and Recollections» (2018), «MMCA … -
Park Hyo-shin
He majored in visual design at Hongik University College of Fine Arts. He studied graphic design at Rhode Island School of Design and received a Ph.D. in art from Sungkyunkwan University. He worked as a graphic designer at Ssangyong Group Public Relations Office and Samsung Electronics Overseas Headquarters, and was a professor at Hanyang University College of Design, Samsung Design Institute (SADI), and Samsung Design Research Institute (IDS). As of 2016, he is a professor of Information … -
John Hill
John Hill is an architect, freelance writer and editor, and published author. He grew up in Chicago, went to architecture school in Kansas, and then moved to New York City after working at an architecture firm in Chicago for ten years. Since the move to NYC in 2006 he has written seven books on architecture. The latest, Buildings in Print , surveys 100 seminal architecture books published since Le Corbusier’s Towards a New Architecture . -
Valentina Vergara
Valentina Vergara is a multidisciplinary designer and illustrator who’s interested in using design as a catalyst for change. She’s collaborated on projects addressing gender disparity in graphic design education and continues to explore ways in which she can dismantle oppressive design thinking and continue to advocate for and uplift marginalized perspectives. -
Jo Eun-ji
Studied Interaction Design at Delft University of Technology (Technische Universiteit Delft) in the Netherlands and Service Design and Design for Social Innovation at Politecnico di Milano in Italy. She earned her Ph.D. under the supervision of Ezio Manzini at Politecnico di Milano. Since 2014, she has been working as an assistant professor in the Department of Design at Hunan University in China. -
Kim Sun-nyeo
Pen name Kim Sia. Université Sorbonne Nouvelle, Paris-III is a PhD candidate in French Modern Literature under the supervision of Prof. Serge Martin. She is also a writer on picture book criticism and European special education. -
Park Min-gyu
He graduated from the School of Visual Arts in New York and the Paju Typography School. He has been fascinated with typography since he was young, living in Canada, where he designed the ParkMingyu typeface and worked at the AG Typography Institute, where he developed the AG Choijeongho Minburi Std. He is currently working as a freelancer. -
Stanley Morison
Stanley Arthur Morison was a British typographer, printing executive and historian of printing. Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past. From the 1920s Morison became an influential adviser to the British Monotype Corporation, advising them on type design. His strong aesthetic sense was a force within the company, which starting shortly before his joining became increasingly known for commissioning popular, … -
An Byeong-hak
With a keen interest in the relationship between text and image, he explores the boundaries where design and its adjacent fields intersect, grounded in typographic principles. He was a member of the visual culture experimental group Jindalrae and held solo exhibitions such as Arrangement of Fragments or a Spectacle (2014) and Juxtaposition (2013). He served as the general director for the 5th Typojanchi: Body and Typography (2016-2017), the 1st Public Design Festival Thematic Exhibition: …