He majored in calligraphy at Wonkwang University and completed his doctoral program at Dongguk University. In 2002, he founded CalliDesign, a company specializing in calligraphy, where he is currently the president, and served as a board member of the Korea Calligraphy and Design Association. He has been in charge of important large-scale projects in Korea, including the slogan titles for the 17th and 18th presidential inaugurations, the slogan titles for the opening of Gwanghwamun Square, the slogan titles for the opening of Incheon Bridge, the poster and slogan titles for the 60th anniversary of the Armed Forces Day, the Korean character CI for Hyundai Heavy Industries, and the Korean character CI for Hyundai USS Korea. Recently, he has been focusing his efforts on establishing the theory of calligraphy, a barren field. His books include Practical Calligraphy 1 and 2, Calligraphy, In Search of Korean Monuments, Introduction to Korean Calligraphy 1, and Understanding Calligraphy (co-authored).
Authors
Lee Kyu-bok
이규복
Lee Kyu-bok의 책
다른 사람들
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Professor Koo, Sang has been researched for mobility and automotive design over 30 years since his career in Kia Motors Design Center either California Design Research Center as a senior designer, and now works as a professor at Hongik University. He got a doctor degree at the Graduate School of SNU for the first turn. He wrote 12 books related to automotive design and two long novels. Nowadays, he is writing design critique columns in Medias for every week. So far, they’ve collected more …
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Michael Rock
He is a writer, designer, and educator who co-founded the New York-based design studio 2×4, where he serves as a creative director. Over the past thirty years, he has closely collaborated with a wide range of figures—including Miuccia Prada, Rem Koolhaas, Germano Celant, Kanye West, and Virgil Abloh—while teaching at Yale University, Harvard University, Columbia University, and the Jan van Eyck Academy, and contributing to publications such as The New York Times, I.D., and Eye. His major … -
라슬로 모호이너지
20세기 디자인 교육의 가장 혁명적인 인물로, 바우하우스에서 교수로 재직하며 예술과 기술의 통합을 주도했다. 회화 중심의 교육에 사진, 영화, 타이포그래피 등 신매체를 도입하며 인간 지각의 확장을 탐구했다. “예술과 기술—새로운 통합(Kunst und Technik — eine neue Einheit)”이라는 구호 아래 바우하우스를 단순한 예술학교를 넘어 산업사회와 조화하는 디자인 교육기관으로 이끌었다. 1895년 오스트리아-헝가리 제국에서 태어났고, 제1차 세계대전 시기에 청년기를 보냈다. 전후 서구에서 일어난 격렬한 문화적 격동과 모더니즘 속에서 포토그램, 포토몽타주, 영화, 키네틱 조각 등을 활용해 새로운 시각 실험을 펼쳤다. 발터 그로피우스, 마르셀 브로이어 등 동시대 예술가와 활발하게 협업했으며, 알바르 알토, 요제프 알베르스, 헤르베르트 바이어 등 많은 예술가에게 영향을 미쳤다. 예술평론가 피터 셸달은 그를 “끊임없이 실험하는 작가”라고 불렀다. 1937년 발터 … -
kim Ju-gyeong
A lead researcher and type designer at AG Typography Institute , the designer has created typefaces such as AG Hunminjeongeum and AG Choteuktae Myeongjo . They have also directed, researched, and designed both AG original typefaces and custom corporate identity fonts, including Amorepacific’s “APHQ Hangul” , Projekt Produkt’s “PP Sans” , Hyundai Department Store’s “Happiness Sans” , and Jeju Air’s “Flight Sans.” -
황준필
그래픽 디자이너. 홍익대학교에서 석사 논문을 쓰며 다석을 만나 다석의 한글 씀이 한글을 이용한 타이포그래피 디자인의 바탕을 넓히는 일이라는 사실을 알게 되었다. 또한 우리가 오래 써왔던 우리말에 깊은 철학적 성찰이 담겨 있으며, 세종이 이를 기호화해 한글을 지었고, 다석은 한글의 기호적 의미를 다시 시각화했음을 깨달았다. 현재 스튜디오 ‘디자인하다’에서 한글을 사용해 멋짓는 디자인을 한다. 한양대, 가천대, 한세대에서 타이포그래피와 편집 디자인을 강의했으며, IF 디자인 어워드 등 디자인 어워드에서 수상했다. 한국타이포그라피학회 회원이다. -
Nat McCully
Nat McCully worked at Claris Corporation and Apple Computer in Japanese product development, specializing in text layout, from 1991 to 1998. He then joined Adobe Systems as the lead engineer for the Japanese version of InDesign, implementing text composition and Japanese publishing workflow features. He has worked on Flash, AIR, RMSDK, and advised the teams on Photoshop, Illustrator, and Adobe Text Engine (ATE). He now works with the Spark and the XD teams on worldwide extensibility and … -
Kashiwagi Hiroshi
Design critic. Professor Emeritus at Musashino Art University and Honorary Fellow at the Royal College of Art. Born in Kobe in 1946. Graduated from Musashino Art University. After working as an editor, became an associate professor at Tokyo Zōkei University in 1983. Started at his current position in 1996. His works include Design no 20 seiki (The 20th Century of Design) (NHK Shuppan, 1992), Housework no seiji gaku (The Politics of Housework) (Seidosha, 1995), and Nichijitsu no bunka shi (The … -
Ando Tadao
Born 1941 in Osaka, Japan. Self-taught in architecture. Established Tadao Ando Architect & Associates in 1969. Major works include the Church of the Light, Pulitzer Arts Foundation, and Chichu Art Museum. Awarded the Architectural Institute of Japan (AIJ) Prize for the Row House in Sumiyoshi in 1979, Japan Art Academy Prize in 1993, Pritzker Architecture Prize in 1995, Person of Cultural Merit (Japan) in 2003, International Union of ArchitectsUIA Medal in 2005, John F. Kennedy Center Gold … -
Sosun Park
With a background in media, theater, and programming development, she uses technology as both material and inspiration for her creative work. As a developer and artist, she creates content that merges technology and art, sharing her work across various social media platforms. Furthermore, she maximizes the unique characteristics of technology and the web as mediums, designing interactive experiences that engage audiences and encourage their participation. -
Bas van Abel
He is the Creative Director at Waag Society, focusing on developing various projects based on open design principles. He is also the co-founder of Waag Society’s Fab Lab and the Instructables Restaurant. On a personal level, he is actively involved in the global maker and digital fabrication community. -
정상희
서울시립대학교 환경조각학과와 홍익대학교 대학원 미술사학과를 졸업했다. 오하이오대학교에서 미술사와 영화이론 전공으로 박사 과정을 수학했으며, 서울시립대학교 대학원 건축학과 박사 과정을 수료했다. 도시 연구 기반 문화예술 및 디자인 기획 연구소 아도크리에이션을 운영하며 대학교에서 미술사, 미학, 디자인 이론, 건축사 등을 가르친다. 번역가로도 활동하고 있다. 저서로 『인천의 장소 특정성, 걷기의 모빌리티와 도시를 경험하는 예술-인천학연구총서 47』『시카고와 인천, 도시 만나기』『시각예술로서의 도시 읽기-아시아 항구도시』, 역서로는 『브랜딩·인사이트·디자인]』『일러스트로 보는 영국 건축의 언어』『팝 아트』『ART 세계 미술의 역사』가 있다. -
Kim Hyun-mi
She studied graphic design at Seoul National University and Rhode Island School of Design, USA. She started working at the advertising agency Oricom and worked on many identity design projects as a freelancer. She is currently a professor of communication design at Samsung Advanced Design Institute (SADI). She is the author of The New Typographic Revolutionary: Jan Tschichold , 33 Typeface Stories that Make Good Design , and Ode to Typography , as well as independently published artist books, …