He studied literature and linguistics at Chung-Ang University and computer programming—though he prefers to call it “narrow-sense literature and linguistics” or “poetic computation”—at the School for Poetic Computation (SFPC). He worked as an editor, designer, and programmer at Angraphics and Workroom.
Now running his one-person company Min Guhong Manufacturing, he works both within and beyond the art and design fields. Meanwhile, through “New Order”, which bills itself as “a liberal arts course for modern people,” he collaborates with Studio Pie·Chumiga, PaTI (PaJu Typography Institute), Hongik University, and others, teaching and discussing coding from the perspective of “conceptual and practical writing.”
He is the author of New Order and has translated Forget All the Graphic Design Rules You’ve Learned—Including the Ones in This Book and What Color Is the World?. Since February 22, 2022, he has been working as the director of Angraphics Lab (commonly referred to as “AG Lab”), creating “hyperlinks.”
Authors
Min Gu-hong
민구홍
다른 사람들
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Design activist, publisher of d design travel . Born in 1965 in Mororan City, Hokkaido, and raised in Agui Town, Aichi Prefecture. He participated in the establishment of the Hara Design Institute, Japan Design Center, and founded Drawing & Manual in 1997 and D&DEPARTMENT PROJECT in 2000. He later founded 60VISION and proposed branding styles beyond reprinting, such as Garimoku 60. Long-life design is the theme of his activities, which range from publishing to product development. He …
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라슬로 모호이너지
20세기 디자인 교육의 가장 혁명적인 인물로, 바우하우스에서 교수로 재직하며 예술과 기술의 통합을 주도했다. 회화 중심의 교육에 사진, 영화, 타이포그래피 등 신매체를 도입하며 인간 지각의 확장을 탐구했다. “예술과 기술—새로운 통합(Kunst und Technik — eine neue Einheit)”이라는 구호 아래 바우하우스를 단순한 예술학교를 넘어 산업사회와 조화하는 디자인 교육기관으로 이끌었다. 1895년 오스트리아-헝가리 제국에서 태어났고, 제1차 세계대전 시기에 청년기를 보냈다. 전후 서구에서 일어난 격렬한 문화적 격동과 모더니즘 속에서 포토그램, 포토몽타주, 영화, 키네틱 조각 등을 활용해 새로운 시각 실험을 펼쳤다. 발터 그로피우스, 마르셀 브로이어 등 동시대 예술가와 활발하게 협업했으며, 알바르 알토, 요제프 알베르스, 헤르베르트 바이어 등 많은 예술가에게 영향을 미쳤다. 예술평론가 피터 셸달은 그를 “끊임없이 실험하는 작가”라고 불렀다. 1937년 발터 … -
Kim So-jeong
She studied visual design in South Korea and worked in design education and magazine design. After studying illustration in the UK, she now lives in the seaside town of Bournemouth, where she works as a designer and illustrator. -
Sofie Beier
Sofie Beier is an internationally recognized researcher in typeface legibility and professor WSR at the Royal Danish Academy. She has a long career in academic research and is the author of several books and numerous academic articles on typography and legibility. -
Yang Da-sol
She is a writer, a vegan advocate, and the host of the writing community Kkabul Writing Room . She has authored books such as A Heart That Doesn’t Become Poor , Anyway, Friends , and A Proper Courtesy . -
Simon Morley
Simon Morley is a visual artist and until 2023 was Assistant Professor in the College of Arts, Dankook University, Republic of Korea. As well as being author of three titles for Thames & Hudson— Modern Painting , Seven Keys to Modern Art and Writing on the Wall —He is also the author of The Simple Truth: The Monochrome in Modern Art and By Any Other Name: A Cultural History of the Rose . He has lectured at such museums as Tate, The National Gallery, Hayward Gallery, Serpentine Gallery, … -
Park Sun-a
She studied Library and Information Science in college. She began her career as a feature assistant at Nylon magazine and later worked as an editor at Around magazine and Angraphics. While working in companies, she collaborated with various brands, both large and small. Now, she is active as a freelance editor and art director. She is the author of 20 Kilograms of Life . She dreams of living “in a small house, with broad-minded people, and with a deep heart.” -
Gail Greet Hannah
Gail Greet Hannah is a writer specializing in design and marketing. She was a friend of Rowena Reed Kostellow and worked with her to publish her teaching method. She lives in Cold Spring Harbor. -
Choi Ji-won
A senior researcher at AG Typography Institute , the designer previously worked at Yoon Design and T-Lab before joining AG Typography Institute, where they led projects such as Jeju Air’s corporate typeface “Flight Sans” and “AG Choi Jeongho Sun Myeongjo.” As an independent type designer , they released “Damjae,” a typeface designed for vertical writing, and collaborated with designer Lee Yongje on the typefaces “Nouvelle” and “Jonjae.” -
Kim Jee-hyun
She studied graphic design at Seoul National University’s Department of Applied Arts and Graduate School of Design, and received his master’s degree in typography from Eastern Michigan University, USA. She has been teaching design at Hansung University since 1991. She was a research professor at Syracuse University in the United States and the third president of the Korean Typography Society. She is currently serving as the chairman of the Future Planning Committee and editorial … -
Go Hae-won
She graduated from Ewha Womans University in Seoul, Korea, where she studied composition and the Master of Music program. Since then, she has worked as a composition instructor at the Conservatory of Music and Incheon Yeongo, and currently teaches students preparing for music college entrance exams at Suryeon Music Academy. She dreams of a harmonious life like an orchestra and continues her journey with music through her composing and arranging activities. -
Kim Dae-kwon
He started his career as a font engineer with the first project, “Malgun Gothic”, the first Korean hinting font for UI. He developed various plugins for font editors and gave many technical lectures. He enjoys various collaborations and conversations with font designers. He is currently in charge of mobile font download service at Font Bank and operates Line Gap.