Kyoichi Tsuzuki was born in Tokyo in 1956. From 1976 to 1986, he was a freelance editor for the influential men’s fashion and lifestyle magazines Popeye and Brutus, where he wrote on contemporary art, design, urban living, and related topics. From 1989 to 1992, he published Art Random (Kyoto Shoin), a 102-volume series covering 1980s trends in global contemporary art. He continues to write and edit works on contemporary art, architecture, photography, design, and more. In 1993, he released the photobook Tokyo Style (Kyoto Shoin), which depicts the living spaces of Tokyoites in a raw, unfiltered context; in 1997, he received the Kimura Ihei Award for his photobook Roadside Japan (Aspect, 1997), which marked the start of a still-ongoing project to document roadside subjects both in Japan and abroad.
Authors
Tsuzuki Kyoichi
都築響一
다른 사람들
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After graduating from Konkuk University, she worked at Sandol Communication, a Korean type foundry, for five years, and as a researcher and team leader at AG Typography Research Center, she worked on several typeface projects, including “Sandoll LateSpring,” the Maru project “Maru Buri,” and the 87MM brand’s exclusive font “87MM ILSANG.” She has been conducting research and projects on screens and fonts since “AG Choijeongho Screen” and has been working on typeface design based on …
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Fiona Raby
Fiona Raby, of Dunne & Raby , is University Professor of Design and Social Inquiry at The New School in New York and a Visiting Distinguished Professor at the China Academy of Art (CAA) in Hangzhou. She was Professor of Industrial Design (id2) at the University of Applied Arts in Vienna between 2011-2016 and was Reader in Design Interactions at the RCA between 2005-2015. She studied Architecture at the RCA before working for Kei’ichi Irie Architects in Tokyo. She also holds an MPhil … -
Lee Dong-guk
Lee Dong-guk is a Korean calligraphy researcher, curator, and current director of the Gyeonggi-do Museum. He has been an academic researcher at the Calligraphy Museum at the Arts Center of Korea for 35 years and has published Myth, Song of Life - From Petroglyphs to Atheists (1999), Two Thousand Years of Korean Calligraphy (2000), Ose Chang’s Pavilion. Collection World (2001), Heavenly Life, Sky of Fertility (2012), Special Exhibition on the 10th Anniversary of the Passing of Galesun … -
Lee Yil
Lee-Yil is an art critic who made a significant contribution to recognizing and establishing the concept of art criticism and review in the Korean art world from the 1960s to the 1990s. Born in 1932 in Gangseo, South Pyongan Province, Lee was a student at Seoul National University, where he was active as a literary youth, organizing the ‘Literature and Literature Society’ and appearing as a poet. After dropping out of college, he studied abroad in France in 1956, where he completed … -
Jo Kim
Graphic designer. He majored in communication design at Hongik University, earned a master’s degree from Yale University and a PhD from Hongik University. He is the co-author of the A Dictionary of Typography published by Angraphics in 2012, published “Technical Problems in Multilingual Typography” (2016), and designed typefaces such as “Bemby” in 2017 and “Glyphs Sans” in 2018. He passed away in 2021. -
Kelly M. Choi
Studied visual design and typography at the Rhode Island School of Design (RISD) and The Basel School of Design. Currently runs the brand Once Type, exploring the visual potential of letters. -
Armin Hofmann
Armin Hofmann was a Swiss graphic designer. He was one of the most prominent individuals in Swiss design. He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six. Hofmann followed Emil Ruder as head of the graphic design department at the Schule für Gestaltung Basel (Basel School of Design) and was instrumental in developing the graphic design style known as the Swiss Style. His teaching methods were unorthodox and broad … -
Choi Ji-won
A senior researcher at AG Typography Institute , the designer previously worked at Yoon Design and T-Lab before joining AG Typography Institute, where they led projects such as Jeju Air’s corporate typeface “Flight Sans” and “AG Choi Jeongho Sun Myeongjo.” As an independent type designer , they released “Damjae,” a typeface designed for vertical writing, and collaborated with designer Lee Yongje on the typefaces “Nouvelle” and “Jonjae.” -
Farah Kafei
Farah Kafei is a designer and art director who has led initiatives addressing gender disparity in design education and fostered communities pushing for a more inclusive industry. She’s had the pleasure of working for the Metropolitan Museum of Art and studios such as Sagmeister & Walsh and Doubleday & Cartwright. -
Lee Jeong-hwan
Lee Jeong-hwan graduated from Kyung Hee University’s Department of Business Administration and Intercultural Japanese Language School. He is a researcher of Eastern philosophy and religion, a Japanese translator, and a writer. He has translated many books into Korean, including The Architecture of Tomorrow , The Secret of the Macaroni Hole , Connecting Architecture , 三低主 , White , Nagaoka Kenmei no Kangae , Tokyo University Students Become Fools , and Ready Luck . -
라슬로 모호이너지
20세기 디자인 교육의 가장 혁명적인 인물로, 바우하우스에서 교수로 재직하며 예술과 기술의 통합을 주도했다. 회화 중심의 교육에 사진, 영화, 타이포그래피 등 신매체를 도입하며 인간 지각의 확장을 탐구했다. “예술과 기술—새로운 통합(Kunst und Technik — eine neue Einheit)”이라는 구호 아래 바우하우스를 단순한 예술학교를 넘어 산업사회와 조화하는 디자인 교육기관으로 이끌었다. 1895년 오스트리아-헝가리 제국에서 태어났고, 제1차 세계대전 시기에 청년기를 보냈다. 전후 서구에서 일어난 격렬한 문화적 격동과 모더니즘 속에서 포토그램, 포토몽타주, 영화, 키네틱 조각 등을 활용해 새로운 시각 실험을 펼쳤다. 발터 그로피우스, 마르셀 브로이어 등 동시대 예술가와 활발하게 협업했으며, 알바르 알토, 요제프 알베르스, 헤르베르트 바이어 등 많은 예술가에게 영향을 미쳤다. 예술평론가 피터 셸달은 그를 “끊임없이 실험하는 작가”라고 불렀다. 1937년 발터 … -
Hara Kenya
Born in 1958, he is a designer, President of the Nippon Design Center, and a professor at Musashino Art University. Known for groundbreaking exhibitions that challenge conventional values, he has curated projects such as RE-DESIGN – The Daily Products of the 21st Century , JAPAN CAR – Designs for a Crowded World , and HOUSE VISION , which have had a global impact. He applied design deeply rooted in Japanese culture for the opening and closing ceremonies of the Nagano Olympics and the Aichi …