The Korean Society of Design Science (KSDS) was established in 1978 and restructured in 1994 with the aim of advancing the status of design studies through theoretical and practical exploration across all areas of design. It seeks to contribute to society by fostering information exchange among design professionals and promoting international academic collaboration in response to the era of informatization and globalization. The society organizes annual academic conferences and lectures, publishes academic journals and books, and engages in collaborative projects between government agencies, academia, and industry. It also maintains active exchanges with international design organizations. As of 2015, the society has over 5,000 members actively working in various design fields.
Authors
Korean Society of Design Science
한국디자인학회
다른 사람들
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He is a graphic designer, the CEO of 601bisang, and a member of the Alliance Graphique Internationale (AGI). He graduated from the Department of Visual Communication Design at the College of Fine Arts, Hongik University, in 1988 and from the Graduate School of Advertising and Public Relations at Hongik University in 1999. From 2002 to 2005, he served as an adjunct professor in the Department of Visual Communication Design at Hongik University’s College of Fine Arts. Previously, he worked as an …
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정유선
상명여자대학교 중문과를 졸업하고, 성균관대학교 중어중문학과에서 석사 학위를, 중국 베이징사범대학 중문과에서 박사 학위를 받았다. 현재 상명대학교 계당교양교육원 교수다. 동양 고전을 기반으로 하는 한중 문화 비교 연구와 명저 다시 쓰기 작업을 하고 있다. 저서로 『중국 설창예술의 이해』 『중국 경극 검보의 이해』, 공저로 『종로미각』, 역서 및 공역서로 『열자』 『조씨 고아』 『사치의 제국』 『송원화본』 『장물지』 등이 있다. -
비유에스건축
BUS Architects is an architectural design firm led by three partners: Park Ji-hyun, Woo Seung-jin, and Cho Sung-hak . The firm focuses on establishing diverse relationships between cities, culture, and people , drawing from meaningful imagination that can emerge through architecture and space. Rather than emphasizing the “construction” of architecture, BUS Architects prioritizes the “process” behind it. In this context, “BUS” represents both a commitment to … -
Margaret Colquhoun
1947–2017. Goethean biologist and the Founding Director of the Life Science Trust, based at Pishwanton Wood in East Lothian, Scotland, at the foot of the Lammermuir Hills. She studied zoology and genetics with agricultural acience at Edinburgh University in the 1960s and worked there as a Research Associate in the 1970s on questions of population genetics and evolutionary biology. Later on, still carrying questions into the reality and relationship of taxonomy and evolution, she spent four … -
Sara De Bondt
Sara De Bondt is a graphic designer, publisher, and educator. Her current design projects include creating a new website for The Showroom, developing exhibition graphics for the Wellcome Collection, and designing books for Camden Art Centre and Book Works. She has been a member of the Alliance Graphique Internationale (AGI) since 2017. In 2008, she co-founded the publishing imprint Occasional Papers with Antony Hudek and has since edited several of its titles. Her most recent book, Off the … -
ZERO PER ZERO
ZERO PER ZERO is a design studio founded in Seoul in 2008. We focus on themes of ‘EARTH, TRAVEL, LOVE,’ creating a wide range of graphic designs and illustrations that capture precious moments discovered in travel and everyday life. Initially inspired by themes related to travel, we have since expanded to include warm family portraits, dogs, cats, flowers, and national treasures, continually building our own graphic dictionary. Through our work, we aim to celebrate and share the … -
최명환
대학에서 시각디자인을 공부하고 편집 디자이너로 커리어를 시작했다. 디자이너로서 인문학적 소양을 쌓고자 홍익대학교 대학원 미학과에 진학했다가, 디자인을 해석하고 표현하는 일에 소질이 있다는 사실을 깨달았다. 이후 다양한 매거진에 객원으로 참여하며 2013년 월간 『디자인』 기자로 정식 합류했고, 지금까지 디자인 전방위에 관련된 글을 쓰고 있다. 2021년부터 월간 『디자인』 편집장으로 활동 중이다. -
Lee Hyun-song
A designer in the Brand Strategy Team at Hyundai Department Store, actively involved in infusing vitality into the brand through various activities such as brand positioning and campaigns across multiple media platforms. She is particularly interested in effectively communicating the brand’s direction to customers through design, exemplified by projects like the opening of The Hyundai Seoul. -
Son Boo-kyung
Graduated from the Department of Art Theory at Hongik University and earned a master’s degree from the same university with research on spatial experiences in Minimalism and New Media Art. Co-translated works such as 40 Essential Readings in Art Theory and Criticism, 21 Terms for Media Criticism, and Postproduction. Published papers including “Jeffrey Shaw’s New Media Installations: Tension between Physical Space and Virtual Space”, “Medial Turns in Korean Avant-Garde”, and “Binghamton Letter: … -
Kim Huhn
Professor of Mechanical Systems Design at Seoul National University of Science and Technology. After joining LG Electronics in 2003, he worked in various mobile UX/UI development roles, serving as Group Head of Strategy and Planning at LG Electronics UI Development Center and Head of UX at SK Telecom UI Planning Team. In 2008, he led the UI development of SK Telecom’s smartphone OS with UI specialists such as Vinyl, DNA, and PXD, and since 2009, he has been working on various UX/UI … -
Ko Il-hong
She graduated from the Department of Archaeology and Art History at Seoul National University and received her MA and PhD in archaeology from the University of Sheffield, UK. She has taught at Seoul National University, KyungHee University, Soongsil University, and Chungnam National University, and was a research professor at the HK Research Institute of Humanities at Seoul National University, and is currently a senior researcher at the Seoul National University Asia Center. She is the … -
Kim Hyun-ho
Editorial director of VOSTOK magazine and head of VOSTOK PRESS. He is the editor of various publications and the director of PLATFORM-P. He has worked as the chief editor of the design journal Yanggwibi , editor-in-chief of the Seoul National University Press and Culture Center, and a member of the planning committee of the School of Photographic Theory and the bimonthly magazine Wordnbow , and received the Art in Culture New Vision Art Criticism Award.