NAMELESS Architecture is a idea-based design practice, based in Seoul. Committed to the simplicity on the unpredictable world, they explore the world of architecture, city, and global cultural phenomenon. NAMELESS’s work has been widely published and exhibited at Museum of Modern Art (MoMA), New York Center for Architecture, Parsons The New School, Museum of Modern and Contemporary Art (MMCA) and Seoul Museum of Art, National Museum of Korea. The office has received numerous awards, including AIA New York Honor Award from the American Institute of Architects , AIA/BSA Design Award from Boston Society of Architects, the Architectural League Prize for Young Architects, AIA New Practice New York (NPNY), Korean Architects Award, Korean Architects Award, Kim Swoo Geun Prize, Preview Award and Design Vanguard Award from Architectural Record.
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NAMELESS Architecture
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As a researcher in design history and culture, he won the best paper award from the Korean Society of Design Science in 2013 and curated the exhibition Hello, Stranger at Culture Station Seoul 284. His published books include We Are Not You, and You Are Not Us , The Counterattack of Modernity , Kitsch Around Me , Design Read Through 9 Keywords , Walking Through Artificial Paradise , and This Is Not a Chair: In Search of Meta-Design. He currently serves as a professor at the College of Art and …
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Peter Troxler
An independent researcher and concept developer, he focuses on the overall composition and design of the social, technological, and commercial dimensions of businesses. His work pays particular attention to companies as permanent organizations and projects as temporary organizational structures. -
Choon Choi
Choon Choi is a professor in the Department of Architecture at Seoul National University, leading the Architectural Culture Research Lab. His work focuses on reinterpreting and revitalizing the cultural values embedded in architectural heritage through restoration and regeneration projects. He has collaborated with curators to design exhibition spaces for events such as the “Gwangju Biennale” and the “Seoul Media City Biennale”. In partnership with artists, he worked on … -
Cynthia Busic-Snyder
Cynthia Busic-Snyder was born in central Ohio, where she was raised with two brothers by depression-era working class parents. She studied Visual Communication Design in the Department of Industrial Design at the Ohio State University where she developed an interest in both practicing and teaching graphic design. After working as a graphic designer and art director (identity, point of purchase, signage systems and print for both retail and business to business clients internationally) she … -
Kim Hyun-ho
Editorial director of VOSTOK magazine and head of VOSTOK PRESS. He is the editor of various publications and the director of PLATFORM-P. He has worked as the chief editor of the design journal Yanggwibi , editor-in-chief of the Seoul National University Press and Culture Center, and a member of the planning committee of the School of Photographic Theory and the bimonthly magazine Wordnbow , and received the Art in Culture New Vision Art Criticism Award. -
Valentina Vergara
Valentina Vergara is a multidisciplinary designer and illustrator who’s interested in using design as a catalyst for change. She’s collaborated on projects addressing gender disparity in graphic design education and continues to explore ways in which she can dismantle oppressive design thinking and continue to advocate for and uplift marginalized perspectives. -
Lee Hwan
Collaborates with colleagues from diverse technocultural backgrounds to design product and service experiences within architectural spaces. With prior experience at Ahn Graphics and Atelier Brückner in Stuttgart, she is currently working at VAVE Studio in Frankfurt. She graduated from the Department of Visual Communication Design at Hongik University and completed a graduate degree in Interior Architecture at the same institution. -
Lee Kwang-suk
He has been engaged in research, criticism, and writing with a critical focus on the intersections of technology, society, and ecology. He is a Professor in the Graduate School of IT Policy at Seoul National University of Science and Technology, specializing in Digital Culture Policy. Since 2020, he has served as the Editor-in-Chief of Culture/Science , a journal of cultural theory. His main research interests include technology and cultural studies, the commons, platforms, techno-ecological … -
정시화
국민대학교 조형대학 시각디자인학과 명예교수. 1976년부터 30여 년간 그래픽 디자인 창작실기, 디자인론, 색채계획, 전통색채론 등을 가르치며 교육자로서 활발히 활동했다. 대한민국산업디자인전에 추천작가·초대작가로 선정됐으며, 심사위원을 역임했다. 한국시각디자인협회 국제부회장을 지냈으며, 88서울올림픽위원회 중 디자인전문위원회의 주요 일원으로 활동했다. 국립현대미술관 「한국전통표준색명 및 색상: 제1차 시안」에 연구위원으로 참여했고, 서울시립미술관 개관전 〈한민족의 빛과 색〉에는 자문위원으로 참여했다. 국제디자인협의회(ICoD, 전 세계그래픽디자인협의회), 국제색채심포지엄, 바우하우스 답사 연구 등 다양한 국제 활동을 통해 세계 그래픽 디자인의 동향을 한국 디자인계에 반영하는 데 일조했다. 지은 책으로 『현대 디자인 연구』 『한국의 현대 디자인』 『산업 디자인 150년』이 있으며, 옮긴 책으로 『디자인론』 『포스터 디자인사』가 있다. 대표 논문으로는 「덴마크 디자인의 에센스」 … -
Lee Jin-ryeol
A full professor in the Design Management program of the Department of Design Engineering at Chosun University. He graduated from the Department of Business Administration at Chonbuk National University, where he also earned a master’s degree in Design Management and a Ph.D. in Business Administration. He previously served as a senior researcher at the IBRD Design Development Research Institute and the Design Strategy Development Team at R&C KOREA. Actively engaged in various academic … -
Michel Pastoureau
He is a leading scholar of medieval heraldry and recognized as the first international expert in the field of color. Born in Paris in 1947, he studied at the Sorbonne and the École Nationale des Chartes. He began researching the history of color as an academic subject in 1968 and published his first paper on medieval color in 1977. In 1982, he was appointed Director of Studies in the History and Philology Section at the École Pratique des Hautes Études (EPHE), where he taught for 28 years on … -
Ahn Graphics
Ahngraphics is a Korean design publishing company and company founded by visual designer Ahn Sang-soo on February 8, 1985. It was converted to a stock company in 1990 and has grown into a comprehensive design company covering four sectors: design, digital, media, and publishing. It was the first design company to introduce DTP into practice, and contributed to the development of Korean graphic design through high-quality editorial design centered on letters. It celebrated its 30th anniversary …