Graduated with a BFA from the College of Fine Arts at Hongik University, an MFA in Industrial Design from Seoul National University, and an MBA in Marketing from Yonsei University. Guided by the belief that “a successful designer must balance theory (文) and practice (武),” he is dedicated to professional design education while contributing to the field as a recommended designer and jury member for the Korea Industrial Design Exhibition. His primary interests include new product design development, corporate design strategy (diagnosis, evaluation, and planning), and human factors (focusing on aging and sporting goods). As of 2008, he is a professor in the Department of Industrial Design at Hongik University. He is a founding member of the Korea Society of Industrial Designers (KSID), an international member of the Industrial Designers Society of America (IDSA), and a lifetime member of the Ergonomics Society of Korea. His publications include Industrial Design as Economic Value in the New Era, Industrial Design in the Digital Age, Quality of Life and Environmental Design (co-author), and Ergo-Design for Human-Centered Design Considerations.
Authors
Choi Dae-suk
최대석
다른 사람들
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Designer. He graduated from Hongik University in 2006 and worked as a UX designer at Angraphics. He then earned an MFA from the Royal College of Art (RCA) in London, UK, and worked as a UX Design Director at Philips Healthcare in Singapore and the Netherlands before returning to Korea to join the Department of Design at Ulsan National Institute of Science and Technology (UNIST). He is an associate professor at UNIST, where he teaches students, founded OND Lab, conducts numerous design research …
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Ota Hiroshi
Born in 1968. Architect.Co-chair of Design Nouveau, Tokyo Picnic Club. Researcher at the International Center for Urban Regeneration Research, University of Tokyo, and lecturer at the Institute of Production Technology, University of Tokyo, where he studies urban regeneration cases around the world. Since 2011, he has been a lecturer at the Children’s Architecture School. -
Yang Ok-kum
Yang Ok-kum studied Performance Design at Central Saint Martins College of Art in the UK, completed an MA in Art and Space (Curating) at Kingston University Graduate School, and completed a certificate program in Museum Studies at Harvard University. She began her career as an intern at the List Visual Arts Center at MIT, where she worked as a curator at Gallery SSamji, the Dean of Academic Affairs at Hansol Cultural Foundation (now Museum SAN), and Chief Curator at Hyundai Card, and is … -
Fraser Muggeridge
Fraser Muggeridge attended the University of Reading in the 1990s and studied in the Department of Typography & Graphic Communication. He worked for Sara Chapman at The Letter g before establishing his own studio in 2001. In 2010 he founded the annual Typography Summer School as a way to introduce students to the instruction he had enjoyed at Reading. He established a New York Summer School (in collaboration with Other Means) in 2013, adding a Los Angeles version in 2019. Muggeridge teaches … -
Omagari Toshi
Toshi Omagari is a font designer at Monotype in the UK. He studied typography and font design at Musashino Art University in Tokyo, graduating in 2008. Arcade Game Typography is his first book. -
Michael Rock
He is a writer, designer, and educator who co-founded the New York-based design studio 2×4, where he serves as a creative director. Over the past thirty years, he has closely collaborated with a wide range of figures—including Miuccia Prada, Rem Koolhaas, Germano Celant, Kanye West, and Virgil Abloh—while teaching at Yale University, Harvard University, Columbia University, and the Jan van Eyck Academy, and contributing to publications such as The New York Times, I.D., and Eye. His major … -
Won Yu-hong
Won Yu-hong graduated from Hongik University’s College of Fine Arts and Dongguk Graduate School of Industrial Arts. He studied communication design at the Pratt Institute Graduate School of Design in the United States. He has worked as a designer at Cheil Industries and Deskey Associates Inc. in New York City, and served as Dean of the College of Design and Graduate School of Design at Sangmyung University and President and Vice President of the Korean Typography Society. He is currently … -
Fukasawa Naoto
Naoto Fukasawa was born in 1956 in Yamanashi, Japan. He graduated from Tama Art University in 1980 and began his career at Seiko Epson, where he worked on advanced designs for watches and other micro-electronic devices. In 1989, he joined ID Two, a San Francisco-based product design firm that later became IDEO. In 1996, Fukasawa returned to Japan to establish and oversee IDEO’s Tokyo office. In 2003, he founded Naoto Fukasawa Design . Since 2001, he has served as a design advisor for MUJI … -
Choi Jin-young
Observes daily life and translates memorable scenes and stories into illustrations. Aspiring to convey the joy and vitality of drawing, contributes artwork across various media. Illustrated books include: Children’s University: Physics , Accidental Design , The More Different, the Better , Words on the Road . -
Chen Nan
A professor and doctoral advisor at the Academy of Arts & Design, Tsinghua University, as well as the Executive Deputy Director of the Chinese Ancient Characters Art Research Center. He serves as Deputy Chair of the Visual Communication Design Department and holds a Ph.D. in Design. He is a member of the China Artists Association, a director of the Beijing Industrial Design Promotion Association, and notably participated as a torchbearer in the Beijing Olympics relay. He chaired the Visual … -
Lee Yong-shin
Lee Yong-shin studied Korean Language and Literature at Yonsei University, Industrial Design at Seoul National University, and Communication Design at Pratt Institute Graduate School. He has worked as a designer at magazines Glamour and Advertising Age , and now works as an art director at CMYK+WHITE, a design firm in New York City. -
Jan Tschichold
Jan Tschichold also known as Iwan Tschichold or Ivan Tschichold, was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of …