A design journalist, design advisor for grandeclip, and director of C, a magazine focused on iconic chairs. From 2006 to 2022, she worked as a reporter, editor-in-chief, and director at the magazine Monthly Design, overseeing over 200 issues. During this time, she conducted interviews with designers, executives, and marketers from around the world and curated content on projects, exhibitions, spaces, and trends across various design fields.
She launched Work Design and authored publications such as Music for Deadlines, Hyundai Card’s architectural project book The Way We Build (co-authored), and the archive book for Hyundai Card’s Youandi typeface, Our Tyface. She also curated exhibitions such as Re;Collective: 25 Rooms in collaboration with Kolon Re;code and The Adventures of Circular Furniture.
Authors
Jeon Eun-kyung
전은경
다른 사람들
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She earned her master’s degree in Visual Communication Design from the Department of Visual Design at Hongik University and the Graduate School of Art and Design at the University of Tsukuba. She is currently pursuing a Ph.D. in Human Environmental Design at the Graduate School of Natural Science at Chiba University. She is a member of the Korea Package Design Association, VIDAK (Visual Information Design Association of Korea), and the Korean Society of Basic Design & Art. Her research …
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An Byeong-hak
With a keen interest in the relationship between text and image, he explores the boundaries where design and its adjacent fields intersect, grounded in typographic principles. He was a member of the visual culture experimental group Jindalrae and held solo exhibitions such as Arrangement of Fragments or a Spectacle (2014) and Juxtaposition (2013). He served as the general director for the 5th Typojanchi: Body and Typography (2016-2017), the 1st Public Design Festival Thematic Exhibition: … -
Momose Hiroyuki
He graduated from the Department of Painting at Tokyo Zokei University and earned her graduate degree in Comprehensive Design at the University of Tsukuba. he served as an assistant professor in the Department of Performing Arts and Film at Paichai University and is currently a full-time lecturer in the College of Design at Sangmyung University. A member of ANBD(Asia Network Beyond Design), he has held numerous exhibitions, including From in the Memory , and has given various lectures on topics … -
Lee Hyun-song
A designer in the Brand Strategy Team at Hyundai Department Store, actively involved in infusing vitality into the brand through various activities such as brand positioning and campaigns across multiple media platforms. She is particularly interested in effectively communicating the brand’s direction to customers through design, exemplified by projects like the opening of The Hyundai Seoul. -
Kim Se-jin
She studied at Hongik University’s Department of German Language and Literature and Korea University’s Graduate School of Education. Her books include What are You Looking At? , Lives of the Artists , MoMA Highlights , The Six Pillars of Self-Esteem , A Space of My Own , and the MoMA Artists series, including Henri Matisse , Paul Cézanne , Pablo Picasso , and Joan Miró . -
Gail Greet Hannah
Gail Greet Hannah is a writer specializing in design and marketing. She was a friend of Rowena Reed Kostellow and worked with her to publish her teaching method. She lives in Cold Spring Harbor. -
Simon Garfield
Simon Garfield was born in London in 1960. He is the author of an appealingly diverse and unpredictable canon of non-fiction, including the bestsellers Mauve, Just My Type and On The Map. He is a trustee of Mass Observation, and is the editor of several books of diaries from the archive, including Our Hidden Lives and A Notable Woman. His recent books include Timekeepers, In Miniature, and All the Knowledge in the World: The Extraordinary History of the Encyclopaedia. -
Josh A. Halstead
Josh Halstead is an epistemic activist working at the intersection of critical disability studies, design pedagogy, and community organizing. A recognized contributor to disability design discourse, they seek to unsettle and rupture normative systems of thought by centering marginalized perspectives. Halstead has been an invited lecturer in academic and industry settings—from Stanford to Google—and is co-author of the forthcoming book Extra Bold: A Feminist, Inclusive, Anti-Racist, Non-Binary … -
Kim Jin-woo
Kim Jin-woo is a professor at the Yonsei School of Business and the head of Yonsei HCI Lab. After earning his degree in Business Administration from Yonsei University, he began his career as a program developer. But he eventually realized that programming wasn’t his true calling, so he pursued an MBA at UCLA. Upon graduation, he worked as a systems consultant at KPMG, but his desire to make a more direct impact on people’s lives led him to Carnegie Mellon University, where he completed his … -
ARTIST PROOF
‘Artist Proof’ is a print & design label run by an artist, Kyungjoo Choi. The artist, working based in Seoul, embodies multi-layered inner structures in layers of overlapped colours and refined symbols. By experimenting with images she created and crossing the boundaries of art genres, ‘Artist Proof’ has done various projects such as producing items, holding exhibitions, and collaborative art projects. -
kim eojin
As a co-founder of the design studio Everyday Practice , they collaborate with numerous cultural and artistic institutions and non-profit organizations , including the National Museum of Modern and Contemporary Art (MMCA), Seoul Museum of Art (SeMA), National Asian Culture Center, Busan Museum of Contemporary Art, and Green Korea . They have participated as an artist in exhibitions at institutions such as MMCA, SeMA, Ilmin Museum of Art, and Nam June Paik Art Center . In 2019 , they served as a … -
Park Hyun-taek
Majored in visual design at Hongik University and lectured at several universities before coming across the National Museum of Korea, where work has continued for over twenty years. While working in the fields of ‘museums,’ ‘design,’ and ‘culture,’ doubts arose about the fact that design was being absorbed only in external decoration. Reevaluating design led to confronting the question of ‘why and for whom to design,’ rather than ‘how to design.’ This process led to the realization that design …