She graduated from Hongik University, College of Fine Arts, Department of Industrial Design and received his MFA from Pratt Institute Graduate School of Industrial Design. Since 1995, she has been a keynote professor at Samsung Art and Design Institute (SADI), and since 1999, she has been a research professor at Parsons School of Design and Pratt Institute’s Department of Industrial Design in New York City. Currently, she teaches three-dimensional sculpture at Parsons School of Design’s foundation program and is the director of the Rowena Reed Costello (RRK) Foundation Workshop, where she conducts workshops and conducts research. In Korea, she has been conducting workshops in basic sculpture since 2007 with the support of the RRK Foundation and the Pratt Institute. In the spring semester of 2011, she was invited as a visiting professor at Yonsei University’s Department of Living Design. Since then, she has been disseminating the principles of systematic basic sculpture education for creative design through faculty workshops in the design field.
Authors
Kim Sun-hee
김선희
다른 사람들
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Cody Choi(b.1961), who has consistently been active as a visual artist and cultural theorist since the 1980s, explores the cultural identity and relationship of authority within contemporary society. Choi touches upon topics of cultural maldigestion, third-culture created by the clash of different cultures, the beauty of such hybridism, and simultaneously occurring new social phenomena—all of which Choi experienced as a foreigner in the US. Choi gained his stature as a world-renowned artist …
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Nat McCully
Nat McCully worked at Claris Corporation and Apple Computer in Japanese product development, specializing in text layout, from 1991 to 1998. He then joined Adobe Systems as the lead engineer for the Japanese version of InDesign, implementing text composition and Japanese publishing workflow features. He has worked on Flash, AIR, RMSDK, and advised the teams on Photoshop, Illustrator, and Adobe Text Engine (ATE). He now works with the Spark and the XD teams on worldwide extensibility and … -
Ezio Manzini
Ezio Manzini is a world-renowned scholar in the field of design for sustainability. In 2009, he founded the DESIS Network, a network of design universities dedicated to social innovation design, to connect design universities around the world and revitalize the discourse on social innovation design. As a longtime professor of design at Politecnico di Milano, Italy, he conducted research on design for sustainability and expanded the scope of design education by launching new design majors such … -
Park Jeong-hoon
He majored in Korean literature and photography. He has held photography exhibitions including Black Light , Distant Mountain , Seasons , and Every Little Step . He has translated several works by Leonard Koren into Korean, including Wabi-Sabi: Just Here , This Is Not Zen: Gardens of Pebbles and Sand , What Artists Are , and Wabi-Sabi: Simply Like This . -
김초엽
소설가. 포항공과대학교에서 화학을 전공하고 생화학으로 석사를 마쳤다. 2017년 〈관내분실〉로 한국과학문학상 대상을 수상하며 작품활동을 시작했다. 장편소설 『우리가 빛의 속도로 갈 수 없다면』 『지구 끝의 온실』 등이 있다. -
Sim So-mi
Sim So-mi is an independent curator based in Seoul and Paris, interested in exploring the relationship between urban space and artistic practice through exhibitions, public projects, and research, and reproducing it in curatorial discourse. She received the Young Artist Award from the Ministry of Culture, Sports, and Tourism in 2021, the Hyundai Blue Prize Design 2021, and the Lee Dong Seok Award for Exhibition Planning 2018. She is a member of the editorial board of the cultural research … -
Kim So-jeong
She studied visual design in South Korea and worked in design education and magazine design. After studying illustration in the UK, she now lives in the seaside town of Bournemouth, where she works as a designer and illustrator. -
Kwak Yung-bin
He is an art critic and visiting professor at Yonsei University’s Graduate School of Communication, and holds a PhD from the University of Iowa, USA, with a “The origin of Korean Trauerspiel”. In 2015, he was awarded the inaugural SeMA-Hana Art Criticism Award, the first national art criticism award established by the Seoul Museum of Art (SeMA). His recent publications include “The Blind Past and the Eternal Return of Global Civil War: Difference and Repetition in Omer Fasth … -
Kan Tai-Keung
An active design educator and artist, Kan Tai-keung is one of Hong Kong’s most famous graphic designers and noted ink painters. Born in 1942 in Pangyu, Guangdong, Kan has resided in Hong Kong since 1957. His passion for painting developed early on in his childhood, and his grandfather, Kan Yaosheng, a clay sculptor, encouraged his pursuit of art. Kan first studied art and design in 1964, and then watercolour painting and sketching with his uncle Kan May-tin. In 1967, he began attending … -
Lee sang-hoon
He graduated with honors from Hongik University, College of Fine Arts. He received his master’s degree in contextual design from Design Academy Eindhoven, the Netherlands, and his doctorate in educational psychology from Korea University. He was selected as a Korean Next Generation Design Leader by the Ministry of Trade, Industry and Energy and is currently a professor at the Department of Design Convergence, College of Architecture, Hongik University. -
비유에스건축
BUS Architects is an architectural design firm led by three partners: Park Ji-hyun, Woo Seung-jin, and Cho Sung-hak . The firm focuses on establishing diverse relationships between cities, culture, and people , drawing from meaningful imagination that can emerge through architecture and space. Rather than emphasizing the “construction” of architecture, BUS Architects prioritizes the “process” behind it. In this context, “BUS” represents both a commitment to … -
Korea Craft & Design Foundation
The Korea Craft & Design Foundation (KCDF) is a public organization affiliated to the Korean Ministry of Sports, Culture and Tourism. The objective of the organization is to promote Korea’s craft, design and hanbok both in Korea and internationally. It is our responsibility to promote the field in order to create opportunities for young makers, artists and related groups. We focus on preserving our own cultural heritage by re-interpreting tradition, research on craft materials/skills and …