Lee Dong-guk is a Korean calligraphy researcher, curator, and current director of the Gyeonggi-do Museum. He has been an academic researcher at the Calligraphy Museum at the Arts Center of Korea for 35 years and has published Myth, Song of Life - From Petroglyphs to Atheists (1999), Two Thousand Years of Korean Calligraphy (2000), Ose Chang’s Pavilion. Collection World (2001), Heavenly Life, Sky of Fertility (2012), Special Exhibition on the 10th Anniversary of the Passing of Galesun Junggwang (2012), Korean Calligraphy × Latin Typography (2016), Kim Jong-young, Sculpting with Brushes (2017), From Chivas Ranch to Master (2017), The Beauty of the Monster of Chusa Kim Jung-hee (2018), Fantasia of Korean Folk Tales (2019), and The Moment of G (2021). His major works include The Aesthetics of the Monsters of Chusa (Conversations between Chusa Kim Jung-hee and Qing Dynasty Moonin, Arts Center of Korea, 2020) and 12 Stories of Art Exhibition Organizers (Han Gil Art, 2004).
Authors
Lee Dong-guk
이동국
다른 사람들
-
He was born in Italy in 1931 and studied architecture in Milan and Venice from 1950 to 1957. After actively engaging in various projects, including designing posters and graphic materials for the 1964 Venice Biennale, he moved to the United States in 1956. In Chicago, he co-founded Unimark International, and in 1971, together with his wife and business partner Lella, established Vignelli Associates in New York. From 1966 to 1980, he worked on the graphic program for Knoll; in 1966, he designed …
-
Cho Young-jae
A graphic designer and Professor Emeritus at Seoul National University, he is the Honorary President of the Korean Federation of Design Organizations. Throughout his illustrious career, he has held numerous influential positions in the field of design: Jury Member for the Asia Digital Art and Design Awards (2001–2007), Honorary Doctorate in Design from Dongseo University (2001), International Jury Member for Hong Kong Design Show 98 (1998), Founding President of the Korea Society of Visual … -
Sofie Beier
Sofie Beier is an internationally recognized researcher in typeface legibility and professor WSR at the Royal Danish Academy. She has a long career in academic research and is the author of several books and numerous academic articles on typography and legibility. -
Yoon Hei-jeong
Yoon Hei-jeong has been at the forefront of culture and art since the 1990s, writing about the work, philosophy, and lives of contemporary artists. She began her editorial career as a founding member of the film magazine Film 2.0, then worked as a feature director for Harper’s Bazaar and Vogue , and in 2009 founded Bazaar Art , a publication that explores the coexistence of fashion and art. She is the author of Life, Art (2022), a book about contemporary art as experienced in everyday … -
Lee Jung-min
Lee Jung-min graduated from Ewha Womans University, Faculty of Design and received her master’s degree from the Graduate School of Industrial Design with the thesis Strategies for Legal Protection of Service Design . Since 2013, she has been working as a researcher at the Korean Intellectual Property Office. -
Han Baek-jin
Graduated from the Graduate School of Industrial Arts at Hongik University and has been actively involved as a member of the Korean Society of Brand Design, the Korean Society of Basic Visual Design, and VIDAK, as well as an invited designer at the Korea Industrial Design Exhibition. In 2005, served as a visiting professor at the University of Washington (UW) and is currently a professor in the Department of Visual Design at Dankook University’s College of Arts. Authored Brand Package … -
최영준
서울대학교 조경·지역시스템공학부 교수로, 동 대학에서 조경학 학사 학위를, 펜실베이니아대학교에서 조경학 석사 학위를 취득했다. 조경디자인성능연구실(landscape design performance lab)의 담당교수이자 랩디에이치 조경설계사무소(Lab D+H Seoul) 디렉터로, 조경 작업이 일으킬 수 있는 힘을 연구하고, 공공과 민간을 아우르는 오픈스페이스 조경 작업을 한다. <타임워크명동 공유정원> <한강변 보행네트워크> <파주 대통령메모리얼공원> <상하이 믹시몰과 공원> 등을 설계했고, 『공원을 읽다』 『용산공원』 『한국 조경 50년을 읽는 열다섯 가지 시선』을 공저했다. -
Joo ha-na
M.A., ATR-BC, Senior Researcher at the Public Design Research Center at Hongik University’s Graduate School and the founder of PSDI (Psychosocial Design Initiative) Research Lab. She focuses on researching and practicing socially prescriptive design for diversity, inclusion, and sustainability. Previously, she worked on museum projects for families with autism at the Autism Initiative team of the Queens Museum’s Art Access program. Later, at the National Museum of Modern and … -
Tak Hyeon-gyu
Graduated from the Department of History at Sogang University and earned a Ph.D. in Art History from the Graduate School of Korean Studies at the Academy of Korean Studies. Authored books include: Saimdang’s Garden , Conversations on Paintings , Reflections on Korean Paintings , A Study of the Triad Buddhist Paintings in the Joseon Dynasty . Currently serves as a researcher at the Kansong Art Museum and lectures at institutions including Seoul National University of Education, Gyeongin … -
William Bevington
He is on the executive team of the Parsons Institute for Information Mapping(PIIM) New School. He currently teaches at Parsons School of Design. He has worked at Rudolf de Harak & Associates, Peter Schmidt Studio(Hamburg, Germany), and the world-renowned Pushpin Group, and taught design and typography at Cooper Union for 15 years. He has also been a visiting lecturer at Columbia University and the State University of New York at Purchase. -
Lee Yong-shin
Lee Yong-shin studied Korean Language and Literature at Yonsei University, Industrial Design at Seoul National University, and Communication Design at Pratt Institute Graduate School. He has worked as a designer at magazines Glamour and Advertising Age , and now works as an art director at CMYK+WHITE, a design firm in New York City. -
Hirano Kouga
Hirano Kouga graduated from the Department of Visual Communication Design at Musashino Art University and worked in the PR department of Takashimaya before becoming a freelance graphic designer. Beginning in the 1960s, he actively participated in the underground theater scene, creating numerous posters. From 1964 to 1992, he was responsible for book design at Shobunsha Publishing, where he designed nearly all of its publications. His contributions earned him the Kodansha Publishing Culture …