Lee Dong-guk is a Korean calligraphy researcher, curator, and current director of the Gyeonggi-do Museum. He has been an academic researcher at the Calligraphy Museum at the Arts Center of Korea for 35 years and has published Myth, Song of Life - From Petroglyphs to Atheists (1999), Two Thousand Years of Korean Calligraphy (2000), Ose Chang’s Pavilion. Collection World (2001), Heavenly Life, Sky of Fertility (2012), Special Exhibition on the 10th Anniversary of the Passing of Galesun Junggwang (2012), Korean Calligraphy × Latin Typography (2016), Kim Jong-young, Sculpting with Brushes (2017), From Chivas Ranch to Master (2017), The Beauty of the Monster of Chusa Kim Jung-hee (2018), Fantasia of Korean Folk Tales (2019), and The Moment of G (2021). His major works include The Aesthetics of the Monsters of Chusa (Conversations between Chusa Kim Jung-hee and Qing Dynasty Moonin, Arts Center of Korea, 2020) and 12 Stories of Art Exhibition Organizers (Han Gil Art, 2004).
Authors
Lee Dong-guk
이동국
다른 사람들
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건축 사진작가. 건축 잡지 《건축과 환경》 사진 기자 및 전속 사진가, 《공간》의 전속 사진가 등으로 활동하며 건축 사진 영역에서 자신만의 색을 구축했다. 건축 전문 출판사 아키라이프의 발행인으로 젊은 건축가의 모노그라프를 전 세계로 유통했고 건축 잡지 《다큐멘텀》을 창간하기도 했다. 1999년 (구)로댕갤러리 사진으로 미국건축가협회(The American Institute of Architects, AIA)의 디자인 어워드에서 건축사진가상을 수상했다. 리움미술관에 작품이 소장되어 있고 2022년 국립현대미술관에 원판 필름 1만여 점을 기증하여 소장 중이다.
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