Lee Dong-guk is a Korean calligraphy researcher, curator, and current director of the Gyeonggi-do Museum. He has been an academic researcher at the Calligraphy Museum at the Arts Center of Korea for 35 years and has published Myth, Song of Life - From Petroglyphs to Atheists (1999), Two Thousand Years of Korean Calligraphy (2000), Ose Chang’s Pavilion. Collection World (2001), Heavenly Life, Sky of Fertility (2012), Special Exhibition on the 10th Anniversary of the Passing of Galesun Junggwang (2012), Korean Calligraphy × Latin Typography (2016), Kim Jong-young, Sculpting with Brushes (2017), From Chivas Ranch to Master (2017), The Beauty of the Monster of Chusa Kim Jung-hee (2018), Fantasia of Korean Folk Tales (2019), and The Moment of G (2021). His major works include The Aesthetics of the Monsters of Chusa (Conversations between Chusa Kim Jung-hee and Qing Dynasty Moonin, Arts Center of Korea, 2020) and 12 Stories of Art Exhibition Organizers (Han Gil Art, 2004).
Authors
Lee Dong-guk
이동국
다른 사람들
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A Japanese translator and publishing editor who hovers between language and print. She considers language to be design, translating Japanese into Korean and plans books. She has worked in architecture and interiors, and after studying in Japan, she worked as an editor at Ahn Graphics. She has translated Rojinryoku , Who Made 501XX? , The Mina Perhonen Design Journey: The Circulation of Memory , An Encyclopedia of Tokyo Hotels , The Original Scenery of Harajuku in the 1970s , Walking with the …
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Nigel Cross
Professor of Design Studies and Head of the Department of Design and Innovation in the Faculty of Technology at the Open University, UK. He has been a faculty member of the Open University’s leading multimedia distance education program since 1970 and teaches a wide range of courses on design and technology. He has an international reputation for design research, particularly in the areas of design methodology and design perception. He is also the editor-in-chief of Design Studies , an … -
Ahn Sang-soo
Ahn Sang-soo is a graphic designer and typographer with a keen interest in Korean visual culture. He studied in the Visual Communication Design Department at Hongik University, where he also completed his graduate studies. A former professor at his alma mater, he took early retirement in 2012 to establish the Paju Typography Institute, where he currently serves as the president, also known as ‘Nalgae.’ In 2007, he received the Gutenberg Prize from the city of Leipzig, Germany. He is also a … -
Gwangju Design Center
Gwangju Design Center was established to lead the advancement of the design industry to enhance the competitiveness of local industries and drive regional economic development. Since 2014, it has organized the Gwangju Design Biennale. In 2020, the organization changed its name to Gwangju Institute of Design Promotion (GIDP). -
Choi Sulki
Choi Sulki and Choi Sung-min are a graphic design duo working under the name Sulki and Min. Together, they have authored books such as Artwork Description , Off-White Paper: Brno Biennale and Education , and An Unfair and Incomplete Dutch Design Trip . Choi Sung-min has also translated books including What is a Designer? , Retromania , Paul Renner: The Art of Typography , and Modern Typography . He teaches at the University of Seoul. Both studied under Michael Rock during their time at the Yale … -
Kim Kwang-hyun
He graduated from the Department of Architecture at Seoul National University, studied at the Graduate School of Architecture, and received his PhD from the University of Tokyo Graduate School. For 42 years, he taught and researched architectural design and architectural theory based on the commonness of architecture at the University of Seoul and the Department of Architecture at Seoul National University. He has served as a member of the Presidential Committee on National Architectural … -
Helmut Schmid
Typographer. Born in February 1942 in Austria with German nationality, he completed an apprenticeship as a typesetter in Germany before studying at the Basel School of Design (Schule für Gestaltung Basel) under Emil Ruder, Kurt Hauert, and Robert Büchler. He subsequently worked in Germany, Sweden, Denmark, Canada, and Japan, where he created his renowned type design “Katanaka Eru”. In Japan and Germany, he published several books, including Gestaltung ist Haltung (Design Is … -
Seo Ji-su
She majored in ancient art history at university. After graduating from the Glbab Academy, she worked in various Japanese translation jobs and is currently working as a professional Japanese translator at Bareun Translation. -
Adolf Loos
Adolf Franz Karl Viktor Maria Loos was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was inspired by modernism and a widely-known critic of the Art Nouveau movement. His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and postmodernism. -
Han Jae-joon
Graduated with a focus on visual design from the College of Fine Arts and the Graduate School of Hongik University. Through the Text Abstraction project, he explored new possibilities and real-world issues related to Hangul, gradually expanding his work to include research and activities from a social perspective. From 1988 to 1995, he studied the fundamentals of Hangeul design under Dr. Kong Byung-woo, a pioneer in the mechanization of Hangul. Since 1989, he has developed and implemented … -
Ahn Young-joo
Ahn Young-joo graduated from Hongik University, Department of Art, and received her doctorate from the same university with a thesis titled “Critical Discourse on Vernacular Design and Political Possibilities.” She has lectured on various design cultural theories such as design and material culture, design history, and craft theory at Hongik University and Konkuk University, and is currently an adjunct professor at Konkuk University’s Department of Industrial Design. Her publications include … -
Akasegawa Genpei
Akasegawa Genpei was a pseudonym of Japanese artist Akasegawa Katsuhiko (赤瀬川克彦), born March 27, 1937 in Yokohama. He used another pseudonym, Otsuji Katsuhiko (尾辻克彦), for literary works. A member of the influential artist groups Neo-Dada Organizers and Hi-Red Center, Akasegawa went on to maintain a multi-disciplinary practice throughout his career as an individual artist. In 1986, Akasegawa and his collaborators, Terunobu Fujimori and Shinbo Minami, to announce the formation of a new group: …