Awakened to the disarray in the Korean language, he dedicated himself to reviving dying words, simplifying difficult Sino-Korean terms into accessible native expressions, and interpreting Korean words in Korean. He established “Maum-Dakkeuneun Maeul” (Mind-Polishing Village) at the foot of Surime (Mount Songni) in the Sabara region (Sangju) of Nosarasa (Gyeongbuk). There, he leads meditation practices to help anyone polish their mind, freeing themselves from suffering to live a content and unburdened life. Through “Pureun Nuri”, he strives to live in harmony with the natural laws (Nuri Byeori) alongside all living beings, sustaining life with naturally grown food from fields and meadows. Earlier in life, he worked toward empowering working people to become the true stewards of the nation and dedicated himself to uniting a divided Korea.
Authors
Hansil
한실
다른 사람들
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Gail Greet Hannah is a writer specializing in design and marketing. She was a friend of Rowena Reed Kostellow and worked with her to publish her teaching method. She lives in Cold Spring Harbor.
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Go Yun-seo
She explores how text, graphics, and people interact between the virtual and the real. After working as a designer and developer at graphic design studio Everyday Practice, She recently went independent to run his own creative design studio, YYY. Continues to experiment with digital interaction in the graphic web experimentation group HHHA. -
Lee Hong-hee
Born in Seoul in 1982. Drawn to Japanese culture from the early 1990s precisely because it was technically illegal in Korea at the time, Lee went on to study Japanese literature at both undergraduate and graduate levels. After graduation, Lee worked as an editor in the publishing industry, editing and translating books across various fields. His T-shirt size is L in Japan, M in Korea, and S in the U.S. The one T-shirt she can’t throw away is a Hulk Hogan tee she bought during the WWE Korea Tour … -
Ezio Manzini
Ezio Manzini is a world-renowned scholar in the field of design for sustainability. In 2009, he founded the DESIS Network, a network of design universities dedicated to social innovation design, to connect design universities around the world and revitalize the discourse on social innovation design. As a longtime professor of design at Politecnico di Milano, Italy, he conducted research on design for sustainability and expanded the scope of design education by launching new design majors such … -
Min Gu-hong
He studied literature and linguistics at Chung-Ang University and computer programming—though he prefers to call it “narrow-sense literature and linguistics” or “poetic computation”—at the School for Poetic Computation (SFPC) . He worked as an editor, designer, and programmer at Angraphics and Workroom. Now running his one-person company Min Guhong Manufacturing , he works both within and beyond the art and design fields. Meanwhile, through “New Order” , which bills itself as “a liberal arts … -
Choi Jeong-ho
A Pioneer of modern Korean type design and typeface research. He moved to Japan, where he worked at a printing company, mastering various printing techniques, and studied at Yodobashi Art Academy. In 1957, he developed the Dong-A Publishing Typeface, which received high acclaim. In the early 1970s, he collaborated with Japanese phototypesetting companies Shaken (寫硏) and Morisawa (モリサワ) to create Hangeul typefaces. In his later years, he focused on writing and researching the philosophy and … -
Momose Hiroyuki
He graduated from the Department of Painting at Tokyo Zokei University and earned her graduate degree in Comprehensive Design at the University of Tsukuba. he served as an assistant professor in the Department of Performing Arts and Film at Paichai University and is currently a full-time lecturer in the College of Design at Sangmyung University. A member of ANBD(Asia Network Beyond Design), he has held numerous exhibitions, including From in the Memory , and has given various lectures on topics … -
Choi Min-young
Graduated from the department of industrial design at KAIST, earned a master’s degree in industrial design from the same institution, and completed the doctoral coursework there. With practical experience in product design and interaction design, served as a senior designer at Daewoo Motors and as the head of the research institute at Decos Interactive. Currently, a professor specializing in Interaction Product Design in the Department of Industrial Design at Sungshin Women’s … -
NAMELESS Architecture
NAMELESS Architecture is a idea-based design practice, based in Seoul. Committed to the simplicity on the unpredictable world, they explore the world of architecture, city, and global cultural phenomenon. NAMELESS’s work has been widely published and exhibited at Museum of Modern Art (MoMA), New York Center for Architecture, Parsons The New School, Museum of Modern and Contemporary Art (MMCA) and Seoul Museum of Art, National Museum of Korea. The office has received numerous awards, including … -
Sugiura Kohei
Sugiura Kohei is a Japanese graphic designer and researcher in Asian iconography. Throughout his career, Sugiura has been a pioneer within the design world using processes that enables the visualization of consciousness in his large body of work that ranges from record jackets and posters, to books, magazines, and exhibition catalogues, to diagrams, stamps, and more. He is also active in promoting the study of traditional Asian cultures through producing innovative catalogue designs and … -
Im Ji-hwan
A licensed architect in South Korea, serving as an advisory partner at BOUNDLESS (경계없는 작업실) and the CEO of ZERO TO N. After graduating from the Department of Architecture at Seoul National University, he gained practical experience at Hanul Architects and later founded Boundless Studio. At Boundless Studio, he recognized the necessity of integrated value across space development, planning, design, and construction. This insight led to the establishment of Zero to N, a comprehensive construction … -
라슬로 모호이너지
20세기 디자인 교육의 가장 혁명적인 인물로, 바우하우스에서 교수로 재직하며 예술과 기술의 통합을 주도했다. 회화 중심의 교육에 사진, 영화, 타이포그래피 등 신매체를 도입하며 인간 지각의 확장을 탐구했다. “예술과 기술—새로운 통합(Kunst und Technik — eine neue Einheit)”이라는 구호 아래 바우하우스를 단순한 예술학교를 넘어 산업사회와 조화하는 디자인 교육기관으로 이끌었다. 1895년 오스트리아-헝가리 제국에서 태어났고, 제1차 세계대전 시기에 청년기를 보냈다. 전후 서구에서 일어난 격렬한 문화적 격동과 모더니즘 속에서 포토그램, 포토몽타주, 영화, 키네틱 조각 등을 활용해 새로운 시각 실험을 펼쳤다. 발터 그로피우스, 마르셀 브로이어 등 동시대 예술가와 활발하게 협업했으며, 알바르 알토, 요제프 알베르스, 헤르베르트 바이어 등 많은 예술가에게 영향을 미쳤다. 예술평론가 피터 셸달은 그를 “끊임없이 실험하는 작가”라고 불렀다. 1937년 발터 …