Jan V. White (1928-2014) was an American designer, communication design consultant, and graphic design educator and writer. Czech by birth, he was educated in England at Leighton Park School and held degrees in architecture from Cornell University and Columbia University School of Architecture, Planning and Preservation. From 1951 to 1964 he worked on two of TIME’s architectural magazines: Architectural Forum (1951–56) as associate art director, and House & Home (1956-1964) as art director. Since 1964 he has worked as a designer, design consultant, writer and teacher. He redesigned more than 200 publications on four continents, and influenced many more with his books and articles about design for print. Initially focused on periodical design, in the mid-1980s White brought his analysis of the visual rhetoric of structure, white space and typographic hierarchy to bear on corporate publishing in a way that shared common ground with information design. As an educator ‘his most valued contribution for people trying to learn how to design has been his articulation, in very clear and easy-to-follow language, what publication design is about; and his insistence that it is not a mystery, but a rational activity of manipulating the elements of a publication in order to achieve certain defined communication outcomes.’ ‘White was an early proponent of the idea of design as being more than “good looks”.’ Author of more than a dozen books on editorial design including the 1974 landmark work, “Editing by Design” in which he first presented his original thesis that design is a clarifying tool rather than a decorative tool. “Editing by Design” is now in its fourth edition (co-authored by his son Alex W. White) and has been in continuous publication since 1974. In 2012, he dedicated several of his design books to the public domain. He was the son of the illustrator and architect Emil Weiss, and the father of the designer, writer and educator Alex W White. He is buried in New Canaan, Connecticut and is survived by his four sons and seven grandchildren.
Authors
Jan V. White
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Jan Tschichold also known as Iwan Tschichold or Ivan Tschichold, was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of …
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Hirano Kouga
Hirano Kouga graduated from the Department of Visual Communication Design at Musashino Art University and worked in the PR department of Takashimaya before becoming a freelance graphic designer. Beginning in the 1960s, he actively participated in the underground theater scene, creating numerous posters. From 1964 to 1992, he was responsible for book design at Shobunsha Publishing, where he designed nearly all of its publications. His contributions earned him the Kodansha Publishing Culture … -
D&D Corporation
The company is headed by Lee Hyun-do (D.O), who manages all work related to DEUX. They are working on various projects to brand DEUX, such as reissuing DEUX’s existing albums on vinyl and launching a collaborative collection with VANS for the 30th anniversary of their debut. -
Irene Korol Scala
Mentor, author, and passionate advocate of great type and thoughtful messaging, Irene pushes herself and her team to refine the craft of visual story-telling and developing brand authenticity. Her credentials include a prestigious degree and full-tuition scholarship from The Cooper Union for the Advancement of Science and Art, where she had the opportunity to study with educators such as Paul Rand, Lou Dorfsman, and Milton Glaser. Irene went on to postgraduate study at The Bezalel Academy of … -
Kim Sung-do
Born in 1963, he graduated from the Department of French Language and Literature at Korea University. He received his master’s and doctoral degrees in linguistics and semiotics from the University of Paris X in France. He was selected for the LG Yonam Foundation’s overseas research program and served as a visiting professor at the Department of Art History and the Institute of Linguistics at Oxford University in the UK, a visiting professor at Harvard University in the US as a … -
Kang Ju-hyun
He runs the graphic design studio Occupy the City and is based in Seoul. He curated and organized the exhibition Occupy the City: Typozimmer Nr. 7 and participated in other exhibitions such as Korean Design: Transforming Forms and Tools of Communication . He is currently an adjunct professor at Konkuk University and teaches graphic design and typography at various universities. -
Yoo Da-mi
She has worked as an editor for online and offline media, including Elion , Design Monthly , 1.5°C , and East . She is interested in stories about art, design, climate and environment, cities and spaces, and ways of life. She is currently the editor of C , a magazine published by GrandeClip. -
Naka Toshiharu
Born in Kyoto Prefecture in 1976. Graduated from the Department of Architecture, Faculty of Engineering, The University of Tokyo in 1999, and completed a Master’s degree in Architecture at the Graduate School of Engineering, The University of Tokyo in 2001. After working at Riken Yamamoto & Field Shop, he established Naka Architecture Studio in 2009. Served as a design assistant at Y-GSA, Yokohama National University Graduate School from 2009 to 2011. Received the Young Architect … -
Choi Jin-young
Observes daily life and translates memorable scenes and stories into illustrations. Aspiring to convey the joy and vitality of drawing, contributes artwork across various media. Illustrated books include: Children’s University: Physics , Accidental Design , The More Different, the Better , Words on the Road . -
An Byeong-hak
With a keen interest in the relationship between text and image, he explores the boundaries where design and its adjacent fields intersect, grounded in typographic principles. He was a member of the visual culture experimental group Jindalrae and held solo exhibitions such as Arrangement of Fragments or a Spectacle (2014) and Juxtaposition (2013). He served as the general director for the 5th Typojanchi: Body and Typography (2016-2017), the 1st Public Design Festival Thematic Exhibition: … -
Tanaka Ikko
Ikko Tanaka was a Japanese graphic designer. Tanaka is widely recognized for his prolific body of interdisciplinary work, which includes graphic identity and visual matter for brands and corporations including Seibu Department Stores, Mazda, Issey Miyake, Hanae Mori, and Expo 85. He is credited with developing the foundational graphic identity for lifestyle brand Muji, emphasizing the “no brand” quality of their products through unadorned, charming line drawings paired with … -
Kim Hyun-ho
Editorial director of VOSTOK magazine and head of VOSTOK PRESS. He is the editor of various publications and the director of PLATFORM-P. He has worked as the chief editor of the design journal Yanggwibi , editor-in-chief of the Seoul National University Press and Culture Center, and a member of the planning committee of the School of Photographic Theory and the bimonthly magazine Wordnbow , and received the Art in Culture New Vision Art Criticism Award.