He has been engaged in research, criticism, and writing with a critical focus on the intersections of technology, society, and ecology. He is a Professor in the Graduate School of IT Policy at Seoul National University of Science and Technology, specializing in Digital Culture Policy. Since 2020, he has served as the Editor-in-Chief of Culture/Science, a journal of cultural theory. His main research interests include technology and cultural studies, the commons, platforms, techno-ecological politics, and AI-driven automation societies. His major works include The Society of Digital Gluttony, Post-Digital, Phygital Commons, The Betrayal of the Digital, Aesthetics of the Data Society, Critique of the Data Society, and Digital Barbarism. He also co-edited and co-authored AI, Platforms, and the Future of Labor, Crafting with Things, Impure Technologies, and Branches of Contemporary Philosophy of Technology and Media*.
Authors
Lee Kwang-suk
이광석
다른 사람들
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With a keen interest in the relationship between text and image, he explores the boundaries where design and its adjacent fields intersect, grounded in typographic principles. He was a member of the visual culture experimental group Jindalrae and held solo exhibitions such as Arrangement of Fragments or a Spectacle (2014) and Juxtaposition (2013). He served as the general director for the 5th Typojanchi: Body and Typography (2016-2017), the 1st Public Design Festival Thematic Exhibition: …
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Ezio Manzini
Ezio Manzini is a world-renowned scholar in the field of design for sustainability. In 2009, he founded the DESIS Network, a network of design universities dedicated to social innovation design, to connect design universities around the world and revitalize the discourse on social innovation design. As a longtime professor of design at Politecnico di Milano, Italy, he conducted research on design for sustainability and expanded the scope of design education by launching new design majors such … -
Lee Hyun-song
A designer in the Brand Strategy Team at Hyundai Department Store, actively involved in infusing vitality into the brand through various activities such as brand positioning and campaigns across multiple media platforms. She is particularly interested in effectively communicating the brand’s direction to customers through design, exemplified by projects like the opening of The Hyundai Seoul. -
Nam Ho-jung
She graduated from Hongik University College of Fine Arts and Dong Graduate School of Visual Design and earned a PhD in visual design. Since then, She has worked at a design institute, planned and produced numerous corporate projects, served as the president of the Korea University Press Association, director of the Korea Industrial Artists Association, and director of the Gwangju Jeonnam Design Association. She is currently an associate professor of art at Chonnam National University College … -
정상희
서울시립대학교 환경조각학과와 홍익대학교 대학원 미술사학과를 졸업했다. 오하이오대학교에서 미술사와 영화이론 전공으로 박사 과정을 수학했으며, 서울시립대학교 대학원 건축학과 박사 과정을 수료했다. 도시 연구 기반 문화예술 및 디자인 기획 연구소 아도크리에이션을 운영하며 대학교에서 미술사, 미학, 디자인 이론, 건축사 등을 가르친다. 번역가로도 활동하고 있다. 저서로 『인천의 장소 특정성, 걷기의 모빌리티와 도시를 경험하는 예술-인천학연구총서 47』『시카고와 인천, 도시 만나기』『시각예술로서의 도시 읽기-아시아 항구도시』, 역서로는 『브랜딩·인사이트·디자인]』『일러스트로 보는 영국 건축의 언어』『팝 아트』『ART 세계 미술의 역사』가 있다. -
Nam Jung-min
He graduated from Yonsei University with a bachelor’s degree in architecture and received his master’s degree in architectural design from Harvard University Graduate School of Design (GSD). He has interned and practiced at various offices including Kennedy & Violich Architecture (KVA), Office for Metropolitan Architecture (OMA), and Safdie Architects. He is currently a professor at Seoul National University of Science and Technology, where he founded the OA-Lab architectural … -
Korea Craft & Design Foundation
The Korea Craft & Design Foundation (KCDF) is a public organization affiliated to the Korean Ministry of Sports, Culture and Tourism. The objective of the organization is to promote Korea’s craft, design and hanbok both in Korea and internationally. It is our responsibility to promote the field in order to create opportunities for young makers, artists and related groups. We focus on preserving our own cultural heritage by re-interpreting tradition, research on craft materials/skills and … -
Kyuwon Park
He graduated from Hongik University and its graduate school. He served as the president of the Korea Brand Design Society, was an invited designer at the Korea Industrial Design Exhibition, and worked as an exchange professor at San Francisco State University. He also served as the dean of the College of Design and the dean of the Graduate School at Hanyang University, where he is currently a professor. His published works include Contemporary Package Design and Package Structure Design , among … -
Youngwon Park
He majored in Visual Design at Hongik University and went on to study Advertising Design and Visual Communication at the Graduate School of Industrial Arts at Hongik University and the School of the Art Institute of Chicago (SAIC). While studying signage and symbols at the University of Illinois at Chicago, he explored a semiotic approach to design research. He later earned a Ph.D. in Fine Arts from Hongik University, where he analyzed visual humor through semiotics. He has contributed to the … -
Kelly M. Choi
Studied visual design and typography at the Rhode Island School of Design (RISD) and The Basel School of Design. Currently runs the brand Once Type, exploring the visual potential of letters. -
Choi Ji-won
A senior researcher at AG Typography Institute , the designer previously worked at Yoon Design and T-Lab before joining AG Typography Institute, where they led projects such as Jeju Air’s corporate typeface “Flight Sans” and “AG Choi Jeongho Sun Myeongjo.” As an independent type designer , they released “Damjae,” a typeface designed for vertical writing, and collaborated with designer Lee Yongje on the typefaces “Nouvelle” and “Jonjae.” -
Sara Kristoffersson
Sara Kristoffersson was born in Stockholm 1972 and is a Swedish writer and professor of design history and theory at Konstfack University College of Arts, Crafts and Design in Stockholm. She is the author of several exhibition catalogue essays and has published a number of articles on various aspects of design, architecture and popular culture.