He has been engaged in research, criticism, and writing with a critical focus on the intersections of technology, society, and ecology. He is a Professor in the Graduate School of IT Policy at Seoul National University of Science and Technology, specializing in Digital Culture Policy. Since 2020, he has served as the Editor-in-Chief of Culture/Science, a journal of cultural theory. His main research interests include technology and cultural studies, the commons, platforms, techno-ecological politics, and AI-driven automation societies. His major works include The Society of Digital Gluttony, Post-Digital, Phygital Commons, The Betrayal of the Digital, Aesthetics of the Data Society, Critique of the Data Society, and Digital Barbarism. He also co-edited and co-authored AI, Platforms, and the Future of Labor, Crafting with Things, Impure Technologies, and Branches of Contemporary Philosophy of Technology and Media*.
Authors
Lee Kwang-suk
이광석
다른 사람들
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Josh Halstead is an epistemic activist working at the intersection of critical disability studies, design pedagogy, and community organizing. A recognized contributor to disability design discourse, they seek to unsettle and rupture normative systems of thought by centering marginalized perspectives. Halstead has been an invited lecturer in academic and industry settings—from Stanford to Google—and is co-author of the forthcoming book Extra Bold: A Feminist, Inclusive, Anti-Racist, Non-Binary …
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Moon Joo-ho
He is a licensed architect in South Korea and serves as both partner and representative of Gyeonggye Eopneun Jakyeopsil (“Studio Without Boundaries”). After graduating from the Department of Architecture at Seoul National University, he gained practical experience at Gyeongyeongwi-Chi Architects & Associates. He later founded Studio Without Boundaries, where he explores and practices the evolution of spatial value through open-minded thinking. He is currently a lecturer at Seoul National … -
Jo Eun-ji
Studied Interaction Design at Delft University of Technology (Technische Universiteit Delft) in the Netherlands and Service Design and Design for Social Innovation at Politecnico di Milano in Italy. She earned her Ph.D. under the supervision of Ezio Manzini at Politecnico di Milano. Since 2014, she has been working as an assistant professor in the Department of Design at Hunan University in China. -
Emil Ruder
He was born in Zurich in 1914. After primary and secondary school in Zurich and vocational training as a caterer, he studied in Paris and earned a degree in French at the Cercle Commercial Suisse de Paris. He then worked as a commercial printer at a Zurich publishing house. He attended a weekly course in typesetting and letterpress at the Kunstgewerbeschule Zürich, where he learned typography from Alfred Willimann (1900-1957) and Walter Käh (1901-1970). In 1942 he was appointed permanent … -
Park Kum-jun
He is a graphic designer, the CEO of 601bisang, and a member of the Alliance Graphique Internationale (AGI). He graduated from the Department of Visual Communication Design at the College of Fine Arts, Hongik University, in 1988 and from the Graduate School of Advertising and Public Relations at Hongik University in 1999. From 2002 to 2005, he served as an adjunct professor in the Department of Visual Communication Design at Hongik University’s College of Fine Arts. Previously, he worked as an … -
Yoo Da-mi
She has worked as an editor for online and offline media, including Elion , Design Monthly , 1.5°C , and East . She is interested in stories about art, design, climate and environment, cities and spaces, and ways of life. She is currently the editor of C , a magazine published by GrandeClip. -
정시화
국민대학교 조형대학 시각디자인학과 명예교수. 1976년부터 30여 년간 그래픽 디자인 창작실기, 디자인론, 색채계획, 전통색채론 등을 가르치며 교육자로서 활발히 활동했다. 대한민국산업디자인전에 추천작가·초대작가로 선정됐으며, 심사위원을 역임했다. 한국시각디자인협회 국제부회장을 지냈으며, 88서울올림픽위원회 중 디자인전문위원회의 주요 일원으로 활동했다. 국립현대미술관 「한국전통표준색명 및 색상: 제1차 시안」에 연구위원으로 참여했고, 서울시립미술관 개관전 〈한민족의 빛과 색〉에는 자문위원으로 참여했다. 국제디자인협의회(ICoD, 전 세계그래픽디자인협의회), 국제색채심포지엄, 바우하우스 답사 연구 등 다양한 국제 활동을 통해 세계 그래픽 디자인의 동향을 한국 디자인계에 반영하는 데 일조했다. 지은 책으로 『현대 디자인 연구』 『한국의 현대 디자인』 『산업 디자인 150년』이 있으며, 옮긴 책으로 『디자인론』 『포스터 디자인사』가 있다. 대표 논문으로는 「덴마크 디자인의 에센스」 … -
Kim Hyun-a
After graduating from Hongik University’s Visual Design Department and KAIST’s MBA program, she worked as a designer in various organizations. She works as a freelance designer and participates in open design projects such as the Open Design Salon at Creative Commons Korea. -
Seo Yu-kyung
She is a lawyer, patent attorney, and legal designer. She received her B.A. in design and information culture from Seoul National University, her J.D. from Kyungpook National University College of Law, and her J.D. from Seoul National University, specializing in intellectual property law, with a thesis entitled A Study on the Intellectual Property Law System for Protecting the Form of Virtual Goods. While running the law firm Artis, he served as a lawyer for legal counseling for artists at the … -
Noh Min-ji
She is a typeface designer based in Seoul. She received her master’s degree from Hongik University Graduate School with a research on Korean punctuation. He has been working as a typeface designer at the AG Typography Institute since 2012, after having worked at the Yoon Design Institute. She has developed typefaces such as Boeunche, Maleungullimche, and Bomnunche. -
Kan Tai-Keung
An active design educator and artist, Kan Tai-keung is one of Hong Kong’s most famous graphic designers and noted ink painters. Born in 1942 in Pangyu, Guangdong, Kan has resided in Hong Kong since 1957. His passion for painting developed early on in his childhood, and his grandfather, Kan Yaosheng, a clay sculptor, encouraged his pursuit of art. Kan first studied art and design in 1964, and then watercolour painting and sketching with his uncle Kan May-tin. In 1967, he began attending … -
Park Su-ji
An independent curator, operating the curatorial agency RARY and co-managing the curator platform WESS . Previously, they have worked as a curator at the independent cultural space Agit in Busan, editorial team leader for the art and culture criticism magazine BIART , coordinator for Jeju Biennale 2017: Tourism , curator at Tongui-dong Boan Inn , and associate curator for the 2024 Busan Biennale: Seeing in the Dark . Their work revolves around questioning how the fundamental nature of art …