Lee Suk-woo graduated from Hongik University, worked for Samsung Electronics in South Korea, Fuse Project and Teague in the US, and acted as a global creative leader and chief designer at Google-Motorola, Korea. Following the establishment of the industrial design office SWNA in 2011, he established his own object brand, The Liberal Office. In 2015, he was selected as one of the top 10 Global Design Studios in the design concept category at the Red Dot Awards and received the Minister of Trade, Industry and Energy commendation at the 2018 Korea Design Awards and the Young Artist of the Day award in 2019 in the design category. In 2021, he was worked as an advisor-professor to Samsung Design Membership, and in the same year, was selected as a judge for Germany’s iF Award and the Brown Award.
Authors
Lee Suk-woo
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다른 사람들
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Since his first solo exhibition Steel Sun in 2000, she has been working with contemporary artists, exhibition curators, and media sociologists to co-organize and research new artistic activities in a media-connected society, such as Art Practice through Hacking (2001) and Parasite-Tactical Media Networks (2004-2006). While organizing and executing these activities, he has also executed various projects such as Dramatic Practice (2010), Co-operative Escape (2010), Twinfix (2011), In My Sky at …
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Stanley Morison
Stanley Arthur Morison was a British typographer, printing executive and historian of printing. Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past. From the 1920s Morison became an influential adviser to the British Monotype Corporation, advising them on type design. His strong aesthetic sense was a force within the company, which starting shortly before his joining became increasingly known for commissioning popular, … -
Ko Bong-seok
He graduated from Hongik University and the Graduate School of Industrial Art. He is a member of the Korean Institute of Brand Design. He is currently the CEO of August Brand. -
Kim Hee-jung
She studied visual design at Hongik University. She went on to study photography at Parsons School of Design and completed her MFA in fine art at Chelsea College of Art & Design. Since returning to Korea, she has been working and teaching at the university level. She has held four solo exhibitions, including Family in 2004, Kumho Young Artist: Pink & White in 2007, and Broken But in 2012, and has participated in numerous group exhibitions at the Seoul Museum of Art and the Gyeonggi … -
Jo Kim
Graphic designer. He majored in communication design at Hongik University, earned a master’s degree from Yale University and a PhD from Hongik University. He is the co-author of the A Dictionary of Typography published by Angraphics in 2012, published “Technical Problems in Multilingual Typography” (2016), and designed typefaces such as “Bemby” in 2017 and “Glyphs Sans” in 2018. He passed away in 2021. -
Sangwoo Park
He graduated from the Department of Geography at Seoul National University and obtained his master’s and doctoral degrees in photography and visual studies at the École des Hautes Études en Sciences Sociales (EHESS) in Paris, France. He has taught photography aesthetics, the relationship between photography and contemporary art, visual aesthetics, media aesthetics, and art theory at Joongbu University, Yonsei University, and Hongik University. He currently serves as an associate professor in … -
Kim Hyun
He is the CEO of Design Park, an invited artist at the Korea Design Exhibition, and a stamp reviewer at the Korea Postal Service, Ministry of Knowledge Economy. He graduated from Chung-Ang University and Konkuk University Graduate School of Education. After working as an art director in the design department of a large company, he opened his own office, Design Park, and has worked on over 400 corporate design projects, starting with the 1988 Seoul Olympics mascot, Hodol. From the cards in … -
Moon Ju-hwa
Film critic. Debuted through the 2024 Cine21 Film Criticism Award and began working as a critic. Currently pursuing a Ph.D. in the Department of Art, Culture, and Film Studies at Pusan National University, conducting research on the representation of history in contemporary cinema. Has worked with institutions such as the Art Sonje Center, Gwangju Biennale, Busan Biennale, and Busan International Film Festival, participating in numerous exhibitions and projects. -
Park Su-ji
An independent curator, operating the curatorial agency RARY and co-managing the curator platform WESS . Previously, they have worked as a curator at the independent cultural space Agit in Busan, editorial team leader for the art and culture criticism magazine BIART , coordinator for Jeju Biennale 2017: Tourism , curator at Tongui-dong Boan Inn , and associate curator for the 2024 Busan Biennale: Seeing in the Dark . Their work revolves around questioning how the fundamental nature of art … -
Kim Jee-hyun
She studied graphic design at Seoul National University’s Department of Applied Arts and Graduate School of Design, and received his master’s degree in typography from Eastern Michigan University, USA. She has been teaching design at Hansung University since 1991. She was a research professor at Syracuse University in the United States and the third president of the Korean Typography Society. She is currently serving as the chairman of the Future Planning Committee and editorial … -
Chon Seung-il
An adjunct professor in the Department of Spatial Production at Kaywon University of Art and Design and an automata artist. As the director of Studio Mimesis and Automata Workshop, he is actively involved in animation, automata, and kinetic art through education, exhibitions, and various projects. He co-authored the book Automata Workshop and has showcased his work in notable exhibitions such as ‹Chon Seung-il’s Thinking Automata› (2017), ‹Goguryeo Mural Automata› (2017), ‹Friends of the … -
Ko Hyun-seon
Graphic designer at Toss. Plans and creates all visual aspects of Toss. She focuses on the visual consistency of Toss graphics by establishing and spreading a visual identity based on the emoji font “Toss Face”.