Born in 1958, he is a designer, President of the Nippon Design Center, and a professor at Musashino Art University. Known for groundbreaking exhibitions that challenge conventional values, he has curated projects such as RE-DESIGN – The Daily Products of the 21st Century, JAPAN CAR – Designs for a Crowded World, and HOUSE VISION, which have had a global impact. He applied design deeply rooted in Japanese culture for the opening and closing ceremonies of the Nagano Olympics and the Aichi Expo. Since 2002, he has served as the art director for MUJI and has worked across diverse fields, designing for Matsuya Ginza, Mori Building, Tsutaya Books, Ginza Six, Mikimoto, Yamato Transport, and the visual identity (VI) for Xiaomi in China. In 2008–2009, he held large-scale solo exhibitions in Beijing and Shanghai. At the 2016 Milan Furniture Fair, he collaborated with Italian architect Andrea Branzi on the exhibition New Primitive Era – 100 Verbs, presenting human history as a co-evolution of tools and desires. He is also the general producer of the Japanese Ministry of Foreign Affairs’ JAPAN HOUSE, focusing on leveraging Japanese culture as a resource for the future. In 2019, he launched the website Low Flying – High Resolution Tour, introducing Japan from a unique perspective and exploring innovative approaches to tourism. He is the author of several books, including Designing Design, 100 Whites, Design of the Future, and The Secret of Macaroni Holes.
Authors
Hara Kenya
原硏哉
다른 사람들
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She graduated from Seoul National University, Department of Applied Arts, and Tama Art University, Department of Graphic Design, Japan. She is a member of the Korean Society of Package Design and the Package Design Association. She has participated in three solo exhibitions and numerous group exhibitions. She is currently a professor at the Department of Communication Design, College of Design, Hanyang University. Her translations include Package Soft: Packaging as a Marketing Tool .
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Lee Jung-min
Lee Jung-min graduated from Ewha Womans University, Faculty of Design and received her master’s degree from the Graduate School of Industrial Design with the thesis Strategies for Legal Protection of Service Design . Since 2013, she has been working as a researcher at the Korean Intellectual Property Office. -
Shin Seung-won
An invited artist and judge for the Korea Calligraphy Grand Exhibition, recognized as Korea’s Outstanding New Intellectual for pioneering and promoting calligraphy education programs. Held solo exhibitions in 2015 at the Museo Nacional de Arte Decorativo and the Cultural Center of the Korean Embassy in Argentina, where two works, “Life” and “Ten Symbols of Longevity”, are now part of the permanent collection. Former director of the Pilmuk Calligraphy Research Institute, … -
Tak Hyeon-gyu
Graduated from the Department of History at Sogang University and earned a Ph.D. in Art History from the Graduate School of Korean Studies at the Academy of Korean Studies. Authored books include: Saimdang’s Garden , Conversations on Paintings , Reflections on Korean Paintings , A Study of the Triad Buddhist Paintings in the Joseon Dynasty . Currently serves as a researcher at the Kansong Art Museum and lectures at institutions including Seoul National University of Education, Gyeongin … -
Park Hey-kyung
She studied Western painting at Seoul National University College of Fine Arts and its graduate school. She received a master’s degree in interior design from Drexel University in the United States and a doctorate in architectural planning from Kyungpook National University’s Graduate School of Engineering. She is currently a professor at Inje University’s Department of Design. -
Ryu Biho
Since his first solo exhibition Steel Sun in 2000, she has been working with contemporary artists, exhibition curators, and media sociologists to co-organize and research new artistic activities in a media-connected society, such as Art Practice through Hacking (2001) and Parasite-Tactical Media Networks (2004-2006). While organizing and executing these activities, he has also executed various projects such as Dramatic Practice (2010), Co-operative Escape (2010), Twinfix (2011), In My Sky at … -
Cody Choi
Cody Choi(b.1961), who has consistently been active as a visual artist and cultural theorist since the 1980s, explores the cultural identity and relationship of authority within contemporary society. Choi touches upon topics of cultural maldigestion, third-culture created by the clash of different cultures, the beauty of such hybridism, and simultaneously occurring new social phenomena—all of which Choi experienced as a foreigner in the US. Choi gained his stature as a world-renowned artist … -
Kim Hyun-kyung
After graduating from Sogang University’s English Department, she worked at a publishing house and edited various books. She is currently working as a freelance translator for major museums and companies in Korea. Her translations include The Form of the Book Book , BIG-GAME : Everyday Objects , First Principles of Typography , 100 Classic Graphic Design Journals , I Used To Be A Design Student: 50 Graphic Designers Then And Now , Bibliographic: 100 Classic Graphic Design Books , … -
Choi Jeong-ho
A Pioneer of modern Korean type design and typeface research. He moved to Japan, where he worked at a printing company, mastering various printing techniques, and studied at Yodobashi Art Academy. In 1957, he developed the Dong-A Publishing Typeface, which received high acclaim. In the early 1970s, he collaborated with Japanese phototypesetting companies Shaken (寫硏) and Morisawa (モリサワ) to create Hangeul typefaces. In his later years, he focused on writing and researching the philosophy and … -
배재혁
서울대학교 디자인학과 조교수로, 미디어 아트 그룹 팀보이드(team VOID)로 활동한다. 콘텐츠 제작 회사 매드제너레이터를 창립해 SK, 두산, 젠틀몬스터 등의 기업과 활발히 협업했고, 아르스 일렉스트로니카, 스코피톤, 일렉트라 등 다수의 해외 미디어 아트 전시에 참여했다. 서울대학교 전기공학부에서 공부했으며, 동 대학 기계항공공학부 뉴미디어랩에서 석사 학위를, 로스엔젤레스 캘리포니아대학교에서 디자인 미디어 아트 전공으로 미술 석사 학위(MFA)를 취득했다. 디자이너가 시대의 흐름을 이해하게 하는 근거이자 메시지를 담아낼 수 있는 중요한 매체로서 기술을 바라보며, 이를 시스템적 관점에서 창작과 연구로 확장하고자 한다. -
Jiang Difei
An architect who graduated from the Graduate School of Architecture at Tsinghua University (清華大學) and earned a Ph.D. in Urban Design from Tongji University(同济大学) and a Ph.D. in Geography from Peking University(北京大学). Currently, he serves as the Dean of the School of Architecture and Art at Central South University and as a professor at Peking University. He is the Vice President of the Hunan Provincial Architectural Society and the Hunan Provincial Architectural Artists Association, as well as … -
Emil Ruder
He was born in Zurich in 1914. After primary and secondary school in Zurich and vocational training as a caterer, he studied in Paris and earned a degree in French at the Cercle Commercial Suisse de Paris. He then worked as a commercial printer at a Zurich publishing house. He attended a weekly course in typesetting and letterpress at the Kunstgewerbeschule Zürich, where he learned typography from Alfred Willimann (1900-1957) and Walter Käh (1901-1970). In 1942 he was appointed permanent …