Born in 1958, he is a designer, President of the Nippon Design Center, and a professor at Musashino Art University. Known for groundbreaking exhibitions that challenge conventional values, he has curated projects such as RE-DESIGN – The Daily Products of the 21st Century, JAPAN CAR – Designs for a Crowded World, and HOUSE VISION, which have had a global impact. He applied design deeply rooted in Japanese culture for the opening and closing ceremonies of the Nagano Olympics and the Aichi Expo. Since 2002, he has served as the art director for MUJI and has worked across diverse fields, designing for Matsuya Ginza, Mori Building, Tsutaya Books, Ginza Six, Mikimoto, Yamato Transport, and the visual identity (VI) for Xiaomi in China. In 2008–2009, he held large-scale solo exhibitions in Beijing and Shanghai. At the 2016 Milan Furniture Fair, he collaborated with Italian architect Andrea Branzi on the exhibition New Primitive Era – 100 Verbs, presenting human history as a co-evolution of tools and desires. He is also the general producer of the Japanese Ministry of Foreign Affairs’ JAPAN HOUSE, focusing on leveraging Japanese culture as a resource for the future. In 2019, he launched the website Low Flying – High Resolution Tour, introducing Japan from a unique perspective and exploring innovative approaches to tourism. He is the author of several books, including Designing Design, 100 Whites, Design of the Future, and The Secret of Macaroni Holes.
Authors
Hara Kenya
原硏哉
다른 사람들
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Lee Kyu-chul (1948-1994, Incheon) graduated from Hongik University in 1974, majoring in sculpture. In 1975, he left for Saudi Arabia, where he worked as an administrator and videographer for the Vinnell Company in the United States. In 1983, he entered graduate school at the Massachusetts College of Art and Design, but returned home after three semesters. He had his first solo exhibition, Space and Visual Perception (Kwanhoon Museum of Art, 1988), which he spent time researching alone, and …
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Lee Dong-guk
Lee Dong-guk is a Korean calligraphy researcher, curator, and current director of the Gyeonggi-do Museum. He has been an academic researcher at the Calligraphy Museum at the Arts Center of Korea for 35 years and has published Myth, Song of Life - From Petroglyphs to Atheists (1999), Two Thousand Years of Korean Calligraphy (2000), Ose Chang’s Pavilion. Collection World (2001), Heavenly Life, Sky of Fertility (2012), Special Exhibition on the 10th Anniversary of the Passing of Galesun … -
정의태
한양대학교 ERICA 융합디자인학부와 동 대학교 일반대학원 디자인학부 교수. UX·UI 디자인, 웹 퍼블리싱, 지역사회 기역 프로젝트, 서비스 디자인, 디자인 방법론 등을 강의하며 여러 기관 및 기업과 관련 프로젝트를 수행하고 있으며 외국인, 이주민, 노약자, 장애인, 유학생 등 다양한 집단을 대상으로 한 연구를 진행하고 있다. -
Jeong Min-ju
After studying Industrial Design and International Business at Carnegie Mellon University, she worked as a product designer, participating in projects for medical devices and various consumer electronics. She later earned a master’s degree in Design and Branding Strategy from Brunel University. Recently, her focus has shifted to research on platform strategy and service design. -
Nicole Miñoza
Director of Product Management, Fonts & Type at Adobe. She has been working for creative product users in a variety of roles at Adobe for nearly 20 years. -
ZERO PER ZERO
ZERO PER ZERO is a design studio founded in Seoul in 2008. We focus on themes of ‘EARTH, TRAVEL, LOVE,’ creating a wide range of graphic designs and illustrations that capture precious moments discovered in travel and everyday life. Initially inspired by themes related to travel, we have since expanded to include warm family portraits, dogs, cats, flowers, and national treasures, continually building our own graphic dictionary. Through our work, we aim to celebrate and share the … -
Park Hyun-taek
Majored in visual design at Hongik University and lectured at several universities before coming across the National Museum of Korea, where work has continued for over twenty years. While working in the fields of ‘museums,’ ‘design,’ and ‘culture,’ doubts arose about the fact that design was being absorbed only in external decoration. Reevaluating design led to confronting the question of ‘why and for whom to design,’ rather than ‘how to design.’ This process led to the realization that design … -
Moon Young-dae
he has served as a curator at the Hyundai Department Store Museum of Modern Art and as chief curator at the Dong-A Gallery, organizing exhibitions such as “Bourdelle Sculpture,” “Modigliani and the École de Paris,” and “Camille Claudel and Rodin.” While studying abroad at the Herzen State Pedagogical University of Russia in St. Petersburg, he received support from the Russian Academy of Arts to hold the exhibition “A Path to the Masters.” he discovered the Korean-Russian painter Byeon … -
Ko Young-lan
She studied design at Seoul National University and Cornell University Graduate School. She has contributed articles on design issues to the monthly Design and Designnet , and has expressed her vision of design as a social issue in the “Seoul Declaration of Industrial Designers” (2001), “Korea Design Declaration” (2007), “Charter of Women Designers” (2007), and “Human City Design Seoul Declaration” (2018). While a professor at Hansung University, she has served as a special exhibition curator … -
Park Jeong-rye
She graduated from the Department of German Language and Literature at Hanyang University and has worked as a foreign rights agent for English- and German-language books at Imprima Korea Agency (IKA), introducing international books to the Korean market. Her translated works include What the Lion Says , A Week with the White Handkerchief , and Rosalie and the Mystery of Milk , among others. -
Sugiura Kohei
Sugiura Kohei is a Japanese graphic designer and researcher in Asian iconography. Throughout his career, Sugiura has been a pioneer within the design world using processes that enables the visualization of consciousness in his large body of work that ranges from record jackets and posters, to books, magazines, and exhibition catalogues, to diagrams, stamps, and more. He is also active in promoting the study of traditional Asian cultures through producing innovative catalogue designs and … -
Chung Hye-uk
Studied Visual Communication Design in the Department of Industrial Design at the College of Fine Arts, Seoul National University. Earned a master’s degree in New Media Design from the University of California, Los Angeles (UCLA), and a Ph.D. in Visual Communication from the Graduate School of Communication at Yonsei University. Currently, she serves as a professor at the Content School of Cheonggang University of Culture and Industry.